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You can check out our first video interview ever with Boys Like Girls below. The video will take a bit to load, please be patient.
Check out the video on YouTube here.
After a high speed chase through the ladies room, the venue, and the parking lot, I finally cornered Spitalfield singer/guitarist Mark Rose before the band played an amazing set in Atlanta, GA. Always a pleasure, Mark is a wonderful person and a great entertainer. His band is severely underrated, and if you haven’t picked up their new album “Better Than Knowing Where You Are”, go do it right now. Even if you’re reading this after midnight, go to Wal-Mart. They have it. I’m serious. Go buy it. Now.
Trevor: To get this going, are you guys pleased with the outcome of the new album?
Mark: Yeah. I’d say we’re very happy with it, mainly because we kind of took the elements of the previous two records that we thought worked best and put them towards the new record. Both production-wise and music-wise, I think we put together…I don’t know..kind of what would be like our definitive record. Anyone that’s been following us would hopefully hear all our favorite traits about us together on one record.
Trevor: How has the fan-reaction to the album been?
Mark: The response has been very good. The numbers have kind of started off slower than we were hoping, but for the most part, it’s been received very well. It’s always a unique experience for us because Remember Right Now came out and was a very slow, slow build. Then Stop Doing Bad Things came out and had a really big start, but the fans were kind of split on whether they liked the darker, more mature sound we had on that record. Now on this one, it seems like it’s being received very well. Probably better than the last one, but at the same time, the numbers aren’t even as high as the second one was for the first couple of weeks. We’re keeping our shoulder to the wheel on it, and we know that. We know we need to get some support tours going in the new year to kind of get back in the faces of kids that may or may not have checked out the new record yet.
Trevor: Do any of the new songs stick out as new favorites for you guys to play?
Mark: (laughing) Yeah, I think we love playing the new stuff live, because with the lineup of people we’ve got playing out there..TJ on the bass, you know had been playing someone else’s music. He was in the band, but he wasn’t a part of those albums recording-wise, so it’s got to feel good for him. I think that this type of music, this style, really carries over well live. We try to have energy, but try to keep it composed enough to sound as good as it can. I’d say “The Only Thing That Matters,” which we’ve been opening up with on this tour, really, if I had to pick one track off of the new record to sum up the album, it would be that one. We’re playing a good number of songs off of it. I really like playing “Won’t Back Down” live, like a whole lot. It’s a little more mid-tempo rock. It’s definitely not slow, but mid. I really like playing that one. I think it will change every week(laughing) until the album is a year old, because then I can look back on it and really say what my favorites were.
Trevor: How has Dan leaving affected you guys as a unit?
Mark: Well, in multiple ways. First and foremost, he was just a really good friend that we had spent the last five years touring with. We had always associated touring with touring with Dan. We had never not had Dan. The biggest thing was of course, he’s just not here. We all miss him. We miss him as a person. We were good friends, and we still are. That’s what makes it okay. He didn’t really leave on hard terms. It wasn’t like he got mad and quit the band. It’s just where he was at with his personal life and various things that were going on. The fact is he had been with us for five years and he gave us the heads up a couple of months before that he was going to be leaving. He didn’t just pull out last minute. That being said, we had Jeff just filling in for a while and now he’s with us full time. I couldn’t be happier with the change. I’m not going to say it’s a change that I’m glad happened, but I’m going to say that taking a negative, such as Dan leaving, turning it positive would be Jeff joining. He’s been great. He’s been singing back-ups and playing the riffs as good as anybody. He’s a really cool guy. We press forward, you know? The future’s a big question mark, but we’re not throwing in the towel.
Trevor: Yeah. Speaking of former members, have you spoken with “old TJ” lately? If so, how is he doing?
Mark: You know, I haven’t talked to him too much. We spend a lot of time on tour and busy with the band. We e-mail back and forth here and there. I wouldn’t be the guy to ask how he’s doing. I know he has a job and has done various musical things in different directions since he’s been home. I don’t have much room, ’cause I’d be making it up. (Laughing)
Trevor: What influenced the decision to use “Secrets In Mirrors” as the first single?
Mark: A lot of things. We kind of left it up to the people who work with us and for us, because sometimes what you think would be the best single is not necessarily the case. From a band’s perspective, you want to pick your favorite song on the record. You don’t want to pick the song that’s commercially the most appealing. I think “Secrets In Mirrors” was a good middleground because it’s under three minutes long and has a chorus that’s memorable. It’s a little bit different, a little more dancey, a little more going on than most of our previous rock songs. I think it was a good decision, because it changed it up a little. From the singles that people would be expecting from us, this one’s a little bit different. People could debate all day long, is it their favorite song or their least favorite song? I don’t know. The whole point of a single is to reach out to the people who don’t already like your band. It’s good to get out a single for those kids that want to hear it, but the whole point of a single, of radio play in general, is to reach out to people who aren’t coming out to your shows and who aren’t already a fan of your band. So that being said, I think “Secrets” was a good choice. The label took a vote and they came with that one. We just kind of went with it and there you have it.
Trevor: How did the video shoot feel for you guys?
Mark: It was cool. It was different for us, because we’ve never done a serious video and it was the first time we didn’t have the reigns. We didn’t say how it was going to go. We didn’t choose it all. We helped to set up and make a decision on the location. Kind of the concepts, but even that kind of got taken from us and worked on. I guess I’m both ways about it. On one level, I think it looks very pro and I think it gets across a different message which is cool. On the flipside, me, myself being really into making videos when I was younger..not music videos, but just movies and whatever, I always want to feel like I have a grasp with what’s going on and I want to have fun with it. I usually end up trying to be too whacky and funny, so maybe it was in the best interest of the band to do a serious video. So there you have it. This next video, I think we’ll get more of our own personalities back into it. We worked with Darren Doane who recently retired, but he was behind “I Love the Way She Said L.A.” as well so it was cool working with him again. I’m definitely happy with it and I’m excited to see what we end up doing next.
Trevor: What was your Warped Tour experience like this summer?
Mark: It was hot. (laughing) Honestly, Warped Tour is like a double edged sword. On one level it’s great because it’s huge promotion and you’re out in front of what could be a few hundered kids, could be practically nobody, could be a few thousand. You never know. It depends on who you’re up against and what stage you’re on that day. Personally, I could take it or leave it. I like the performing part, and I like meeting a lot of people and hanging out with bands. It sounds like there’s a lot of pros, and on that level, there are. But on the flipside, as far as playing music is concerned, I’d rather be in a club. I just really would. I don’t like the fact that weather can make or break your performance or that the sound could be horrible outside. It’s not even the sound engineer’s fault. It’s just the acoustics of where you’re at. I’m sure we’ll do it again. This was our first time on it, and we gained a lot from it and learned a lot. Next time, we’ll be twice as smart about the way we handle things.
Trevor: Lots of sunscreen, huh?
Mark: (Laughing) Sunscreen..everything from learning the tricks of when to go get food and when not to, to learning how to preserve your own energy and splitting up the jobs that have to be done throughout the day, because it’s a mad house.
Trevor: You guys recently did a small in-store tour. How’d that work out?
Mark: It was definitely..different. That’s the best word I can use. On one level, it’s purely retail. It wasn’t at clubs, there weren’t promoters, there weren’t tickets; it’s free. It was free, and it was at record stores that were selling our cd. They’re all independent record stores, the exception being we did one Borders. The whole point of it was to get kids to come to those shows and get the new record. I think on some levels that happened, but in some cases, I think the stores may or may not promote it the way you want them to. We were also promoting this headlining tour at the same time. Some of which were very similar markets or nearby, so we had to pick and choose our battles with what we’re promoting, because you can’t overload people with what you’re doing. There were some nights that were jam-packed with kids that were singing every word, and there were some nights that were very, very scarce. It was cool, because almost 95% of it was acoustic, and that is a side of the band that a lot of people have never seen, including the band itself. That was fun, and I really did like doing that. There’s a lot of videos of it up YouTube and I was watching them thinking, “Man, maybe that was really cool?” It was intimate no matter what. Whether there was a couple of hundered kids or practically nobody in the store, it was always intimate because it was us sitting there playing music. I liked it. It was different, but it’s over though. I’m glad to back in a full-on rock atmosphere. It was cool, though, and hopefully those who saw it walked away thinking it was different and a cool way to see us play. Because, you know we tour full time every year, so if you’re going to see us play time and time again it’d be cool to see it done differently.
Trevor: Would you maybe consider doing a couple of acoustic songs to release online?
Mark: Yeah. I actually recorded “What Were You Thinking” acoustically, not too long ago, just because I wanted to. It came out really cool, but we hadn’t really thought about taking the time to put together anything acoustically until we had done it. Everyone was very supportive and excited about the way it sounded.
Trevor: Do you think that the ongoing Hawthorne Heights lawsuit against Victory will affect any of the other bands on the roster? Are you worried about anything happening to the label?
Mark: To answer the first question, yes 100% because Victory very much so treats their label like a family. That being said, it’s publicity and publicity is good, whether it’s good or bad because it’s getting people to talk about your bands, your roster, or whatever. It’s really..we’re caught between a rock and hard place with this lawsuit, because we’ve toured with Hawthorne Heights multiple times. We’re friends with them and we’re very excited for how much success they’ve gotten. At the same time we see that and it keeps us going, and it keeps the drive alive to want to achieve that level of success and to play to that many kids on a daily basis. It’s kind of flipping a coin really, because on one side it’s people who are behind us and behind our music and who make it possible for us to do what we do vs. people that we tour with and are our peers. It’s like we can’t really pick a side, because we don’t really know what’s going to happen and each way has a different outcome for how it’s going to affect every band on that label. There’s some pros and some cons to each side of it, too. We’re just going to have to wait it out. We’re not going to make any public statements about what we think should or should not happen. We’re just going to let those two fight it out.
Trevor: Do you think you’ll ever re-press or maybe do an online release for your old material, maybe remastered?
Mark: Yeah, there’s been talk of it. Since we signed to Victory, there had been talk of them getting the rights to that material, and the label that put stuff out was definitely interested, but wanted to hold onto it for a while and really see how the band does and what kind of demand for it there would be. I would love more than anything else for our next release to be a b-sides and rarities record that would have the old material plus un-released stuff from over the years; some demos that didn’t make the albums, some covers, some acoustic stuff, and some live stuff. I’d really like to do that before we do another full length, because I feel like this era of our band, for the past four or five years, has a lot to say outside of just the records themselves. I think it’d be to mostly cater to just the fans. I wouldn’t push the record to someone who had never listened to us before or tell them to pick it up, because if they’re going to have a starting point, I’d want it to be one of our actual releases. I think it’d be cool, and looking back on that stuff, we’ve been a band for eight years now; we’ve got everything from our very first demos in 1998 through like I said, outtakes and b-sides from the past three records and our independent releases before Victory. We could pick and choose through all of that stuff and put together a really cool disc, I think.
Trevor: If you were to release that collection, do you have any footage you’d want to include as a DVD?
Mark: Very possibly. We’ll see what happens. Victory, you know, we kind of have to sit down with them and go over whether or not this is going to happen, and time-wise, when it would happen. We’d probably want to get some current footage as well as collections of old stuff. We have a lot of old stuff, some really cool stuff that’s handheld camera in a basement, but it really shows you where we were and where we are.
Trevor: Finally, what do you guys have planned after this tour?
Mark: This tour runs right through mid-December, then we get home for the holidays. After the new year, we’re actually going to Australia in January, which will be our first time down under, so that’s cool. Then we plan to be supporting the U.S. throughout the entire spring through summer. Possibly be back out on the festival circuit, possibly not, depending on what’s going on. I mean, this record is brand new, so we have a baby to raise.
Trevor: Well sir, thank you for your time. It’s always fun talking to you.
Mark: No problem. No problem.
A big thank you to Christina at Atlantic Records for setting this up for me and also Cobra Starship’s management and Gabe. This was done at the Bamboozle Left Festival before their set.
M: So who are you and what’s your role in Cobra Starship?
G: I’m Gabe and I am Cobra Starship, My role is I sing in the band, and I wrote everything and recorded the majority of the stuff myself. I’m also the dance machine.
M: Awesome, can you give us a little history of the band?
G: Yeah, basically I was in a band called Midtown and after the last Midtown tour we did I had a lot of questions for my life. Where I was goin’ so I went on this spiritual quest, you know like a retreat? I was out there meditating for days and one night I was staring out into the night sky and contemplating the universe and I had this epiphany when I looked down at my hand.
I realized the same energy that is contained in the universe is contained with in ourselves, all the molecules and stuff, and all of the sudden this fuckin cobra comes out of nowhere and bites me in the fuckin neck. So I’m there and I almost die and I’m having hot flashes and sweating and shit and I’m hallucenating for like a week and I wake up and the cobra is still there and it starts talking to me and said it was sent from the future to find me and teach me how to make beats and how to dance and not take myself so seriously. We spent the next few weeks there in the desert practicing our beats, you know? Dancing and shit, you know he told me to start Cobra Starship in honor of the spacecraft that brought him back from the future in order to find me.
M: So why did Midtown break up?
G: Well, Midtown’s not broken up. Basically, after our last tour we were supposed to start writing new stuff and then our friends in Senses Fail needed a guitar player so they asked Heath to go out and that turned into a longer thing. I had been working with beats, like on the last Midtown album I did a lot of experimenting with beats and I wanted to take a different approach to song-writing. I wanted to do something a little more fun, because Midtown had gotten really serious which was good and it was a good outlet for me but I wanted to do something that would showcase my personality.
M: Are any of the others doing other
G: Rob has a label called I-Surrender, one of his bands Valencia is playing here today…(Gabe yells to one of his bandmates)…Dude you don’t understand what happened to us. Our bus driver is in the hospital and shitting his blood. So we all had to find different ways to get here. Tyler has a new band also called Bandit of Thieves.
M: Snakes on a Plane, was that just fate?
G: It was, you know I had written some songs, Bring It was one of the first after I got back from the desert. So I was doing these songs and nothing was happening and I started to lose faith in the Cobra and I was like “Gabe, weren’t you smoking peote for six straight days and couldn’t some of this be in your mind?” All of the sudden Snakes On A Plane happened and it was like Snakes On A Plane – Cobra Starship? I’ll never doubt the cobra again!
M: Did you see the video of USC’s marching band playing Snakes On A Plane?
G: No, I don’t get on the internet much but that’s amazing! That’s how you know you’ve made it when a marching band plays your song.
M: How’d you connect with Decaydence?
G: Well, I’ve known Pete forever. He used to come to Midtown shows at the Fireside Bowl in Chicago, we have the same managers. You know, Midtown did Fueled By Ramen & Friends Tour and I was stuck on Columbia and I had to get out and after that it was no question.
M: Your record has been tagged ‘dancy’ and ‘infectious’, how would you describe it?
G: If I could tag it that it would be awesome, I also like to think that it does have a wide spectrum of shit that it goes through, some songs might even be Midtown songs and some songs that are straight up. I wanted it to represent all my different music.
M: How did recording it work?
G: It was crazy, I would just start with a beat and layer shit on top of that and then shit on top of that. Sometimes it’s all different cause it’s studio where you record and chop it up. Sometimes you’d do guitars on top of the beat and keep the guitars and change all the beats around or sometimes you would keep some of each and change all the instruments on top of it. That was awesome though cause it was a totally different approach to song-writing. Usually, when I write songs I would just sit down with a guitar and just write songs but with this I’d start with a beat and layer-layer-layer.
M: Cobra Starship, explain the name, at least the Starship part-
G: Cause there was a space vehicle that brought back the cobra, I could have called it cobra spaceship but I like starship. Jefferson Starship was a band, you know they built this city on rock n roll, we built the city on disco beats bro.
M: Anything to say about Hollaback Boy?
G: That was the first thing I got to try and it really got a lot of press for the band and the name Cobra Starship. Like I said, I wasn’t sure if it was going to be a real thing and Gwen, she thought it was really funny. She doesn’t let me use it anymore but it’s all good.
M: So what’s next?
G: We’re touring on this record cause it just came out on Tuesday. We’re doing the 30 Second To Mars tour (MTV $2 Bill Tour) and it all depends on how this record does. I really want to put out another record soon with this new band I have together cause they’re fuckin’ awesome.
I just want to thank all of the Midtown fans who have been supportive to me from Midtown to this, dancin and rockin out. THANKS!
A big thank you to Rob Dobi for taking some time to answer some of my questions and a few that were submitted by our staff and readers.
Check out some of his latest work at his myspace or his website
Introduce yourself however you’d like to.
My name is Rob Dobi, I currently reside in NJ and i do a bunch of work for bands (Thursday, Fall Out Boy, New Found Glory, Angels & Airwaves, etc.) and photograph the abandoned buildings of the northeast.
Generally speaking, What projects are you currently involved in?
I just finished illustrating two books, one was written by two writers from alternative press and should be out spring 2007. The band work i’m involved with changes from week to week so there is never really a constant there.
First, tell me about how you started into designing and what programs you use to digitize your work.
I started drawing when I was four years old which eventually led to me working digital when i was a sophomore in highschool in 96, jesus that seems like a long time. I’ve always used Photoshop and illustrator as my main programs and I wouldn’t live without my wacom tablet.
How did you get started? Did you pay for everything out of your own pocket?
Fraid so, fronting a t-shirt store yourself can be pretty pricey. On the last run I had to pony up around $20,000 to get thousands of shirts printed. That put quite a dent in my checking account.
Your Fullbleed project has become quite successful, actually I’m currently wearing Oh Dear, tell me about what’s going on in that regard, especially the inspiration for your 4th season.
Fullbleed started as just a few bloody black tees as a way for me to make a few bucks but it has really grown into a fulltime job. I grey away from the standard blood spatter broken heart aesthetic and moved onto more conceptual colorful imagery. The inspiration for my shirts usually just comes from looking at everyday events and attempting to juxtapose them in some manner that may or may not make sense.
Do you have any plans to release fullbleed in stores? (I might be behind on that one).
Some shirts are going to be tested in urban outfitters soon, shhhhhh.
Your photography is incredible, and at times quite disturbing, how did you become intested in abandoned buildings (prisons, mental health institutions, etc.)
I always liked exploring old buildings as a kid, when I was at summer camp in 7th grade about 3/4 of the school the camp took place at was abandoned. a few friends and i would sometimes break free of the pack and wander around the place. I never really outgrew that curiousity I as a kid and once I hit college in providence I was surrounded by these massive abandoned buildings (all of which are now turning into luxury condos). My roommates and I spent the weekends exploring them inside and out and i decided i had to take photos of these places to document them for others to see because soon enough they would be gone.
one night i was watching mtv’s “fear” with my old roommate katherine gerdes (who was on season 3 of project runway!) and i couldn’t believe how bad the kids on the show were freaking out in these abandoned places. one episode we watched took place in an old asylum and i told katherine i would like nothing more to check out these places, she called me a pussy and said i didn’t have the balls.
That summer I did some research and found out the very asylum used in the show was about 20 minutes from my parents house in CT. the next day I spent all day exploring several buildings and haven’t stopped since.
What equipment do you use for your photography?
I shoot all digital with a nikon d70s, a ton of lenses and a manfrotto tripod which looks like it has been through hell and back.
I know you said one of the prisons you most recently shot is inhabited by homeless people, do you have any other strange experiences you can share?
I don’t really have any “paranormal” experiences if that is what you are looking for, I’ve had plenty of close calls with security guards which is always fun. I’ve fallen through a number of staircases and come close to killing myself (by accident of course) on a number of occasions. Last week I set off the loudest goddamn alarm I have ever heard, I was out of the building and speeding away in my car in about 30 seconds flat.
If you had to pick designing or photography as your only concentration, which would you choose and why.
If I didn’t have to pay bills? Photography. Unfortunately it doesn’t really bring in much income to me so I sort of have to resort to designing stuff for other people. I would love nothing more than to travel across the country and sea all of the abandoned locations the US has to offer.
You work with a lot of bands that, well, are basically the biggest bands in rock music right now, do you have any favorites to work with?
I always like working with Thursday, they always seem to be the most appreciative of the work I do and they gave me my start in the business. They always give me creative freedom on what I do which is a plus and you couldn’t find nicer guys.
Do you find that a band’s name crafts what type of design you do for them?
Not really their name, their sound certainly does. I’m not going to make a shirt for atreyu with unicorns and rainbows on it.
Do you wear your own stuff?
If I’m at the end of my laundry, sure.
Any last comments?
sdf
Well said!
I had the pleasure of sitting down with Aaron Weiss from MewithoutYou after their in-store performance at Plan 9 in Richmond, Virginia. I just want to thank Aaron for sitting down with me and giving me an interview that really made me think about things. ( I am in bold and Aaron is in normal text.)
– State your name and position in the band.
My name is Aaron and I’m the singer of the band. I play a tiny bit of the guitar, a tiny bit of accordion, a bit of percussion. Nevermind, just say singer.
– Give a brief history of the band and how it has changed throughout the years.
(Two guys walk passed us and one of them speaks to Aaron.)
Guy # 1: Great job tonight.
Aaron: Thank you. Yeah, yeah. I’ll take it, anything I can get.
Brief history of the band. Well we started out just a bunch of jokers, not planning to ever do this for a living, you know? Just sort of a side band that none of us took very seriously but we kind of immediately got signed on a fluke. So we were like “Alright, let’s do it, let’s really try to do it good,” you know? And then it was just really loud obnoxious kind of music. I couldn’t sing so I shouted all the time. Then I tried to learn how to sing so we got a little more melody involved and try to incorporate different instruments and mix them with electric guitar, bass, and drums. So to try and expand our possibilities of what we could sound like, so there is a little more variety and try to make music more like what I like to listen to and mix it with some softer stuff, with still some of the shouting. And lyrically, it’s more about, more things about God and what I think about God rather then this girl, that I screwed up”¦.yeah.
– What are the pros and cons of playing inside stores instead of venues?
The pros are that”¦um”¦have to be some pros. It’s a change of pace. The cons, it’s not set up for that, you know? It’s not like, the sound system is not as good and it’s all bright, like everything is perfectly well lit so you don’t”¦
(Richard Mazzotta, drummer of the band, opens the back door of Plan 9)
Richard: Aaron?
Aaron: Yeah.
Richard: Are you doing an interview?
Aaron: Yeah.
Richard: Alright.
It’s like, you don’t have the ability to forget yourself, all this stuff is self conscious. You’re looking at all these individuals and you’re right there and some people are just walking around shopping. So you just have the sense that you don’t belong, not everyone is there to see a show so you feel strange just making a bunch of noise. And tonight we played acoustic, which is different for us. It’s just uncomfortable in a sense. But it’s also a change of pace and you kind of have to rethink what we are doing. And then the whole signing thing at the end of a little string of shows is just stupid. I don’t understand it, I don’t mean to complain. I’m sorry.
No, it’s cool.
It just feels like I’m about to lose my mind. Like I don’t know what to say, I just don’t want to just write my name on a piece of paper. But then, how many things can I say that are different and original. How many peoples’ name can I ask and then forget five seconds later. It’s just kind of unreal interaction, it’s like “Ok, who’s next? Who’s next to meet me?” Obviously we’re not this famous band, you know? So it’s just weird that, even if we were a famous band, it’ll still be a weird thing. But for us, it’s especially weird.
– How do you feel about the outcome of the record and how would you compare it to the rest?
Um, it turned out great. For how our last few records have been, it’s by far my favorite. That’s the best that I can expect, is that we did our best and we shattered what I really thought we could ever do. Every single song turned out better than I thought it would, without any exceptions. Every single song I like better than I thought it was going to turn out. What could you ask for better than that? I mean we’re not my favorite band in the whole world, but we’ve gotten a lot better.
(Cop car drives around shinning a spot light around the area we”˜re at.) Aaron: Haha, the police are just riding around.
– What was the lyrical and musical approach when writing the new record?
I don’t know, the same as before, we just do our thing. Like the other guys write their instruments and I write my instrument. And I write a whole lot, it’s usually, mostly garbage. A little bit I like and then I take that and see it together with a song and fit it into the music trying to be written. A couple songs on the new one where the music and melody were written with the lyrics, just kind of all as one. That’s the minority, by far, of the songs. Usually it all comes together the same way. Starts out with the guitar riff and then the drum beat and we build something from there. The vocals come in way after the fact. That’s the usual way.
– What is the meaning behind Brother Sun, Sister Moon?
I don’t know, ask Saint Francis, he’s the one that came up with it. Praying to God and addressing all the aspects of God’s beauty and the creation of the sun and the moon and, you know, the wind, the rain, the animals. He really loved the physical world, he saw the beauty and natural of it.
That’s where you see God the most. I mean, you look around and see a tree and notice that God is there. God is in every aspect of nature.
– If there was to be one main theme to be taken away from the record, what would it be and why?
I would hope that the main theme would be that God is good. I’m tempted to say something about the spider songs, it mentions a spider that gets old and dies. That’s kind of one theme, that all things in this world will pass. Then the other theme is, the first and last line of the record is “I do not exist”, so it’s just a lost of the ego. My attempt of a religious pursuit, like trying to lose my obsession with myself and come to believe in God, to love God and care about other people that aren’t me. But that has largely been a failed pursuit, so far. That’s what I’m doing with these songs, or eating breakfast or going to a church meeting, or whatever it is. It’s always the same, trying to forget about myself and love God and love other people. That’s the theme of the record and my life. Again, it’s not a successful theme.
– What do you think is the biggest issue that society is overlooking and how can we fix it?
Well our society, the biggest issue we overlook is lack of compassion and greed and wealth over our culture and those of others. And the way we think to resolve that is to sponsor a child or give a little money at church. They say to give 10% percent of your money but sometimes it feels like we’re letting”¦it’s like giving the dog the crumbs off the table. It’s not like we ever”¦.
We’re not sacrificing something of ours to give to them. It’s like we just give a dollar to them and that’s it.
Yeah, exactly. It’s like we always are conscious of the fact that over 30,000 children are dying every day from starvation and preventable diseases. And we have new gismos and technologies and cellular phones and DVDs and all that stuff, none of which are necessary for our survival and we ignore our brothers to survive. I can’t reconcile that and live with a clear conscious. And I don’t know if other people can or if they just silent their conscious or there is something going on that I just don’t understand. It’s just something that is generally ignored. My luxuries and entertainment are more important to me than other people’s lives. What do we do about that? As Jesus said “Sell all your possessions and give to the poor”. We do without those unnecessary things until all the people in the world have the necessary things.
– If you had to give advice to a group of teenagers, what would you say?
I’ll say to believe in God but not to put your trust in any religious organization or particular religious tradition, but the one that made you and lives in your heart. You know, like you said the trees and stars and all the things that you see. To reflect on that and all the wisdom and the beauty that goes into sustaining the life of all the world and protecting the lives of the people in world. And the love that is put in all of us, the reality of forgiveness and commit your life to following the one that is the source of all love, all light, and all truth. And don’t be persuaded to give yourself over to the pleasures of this world, all the ambitions of this world, whether it’s for money or sexual gratification, or power, or pleasure, or comfort. But be willing to look to Jesus, who showed us the way to life, which was submission to death and peace and forgiveness and love.
– How has being in this band changed your life and what effected has it had on your outlook towards life?
I don’t know. I really wish I could see a parallel universe where I was never in this band and where I’ll be right now, probably married, probably still with the same struggles. It hasn’t changed too many things fundamentality, but I ht has given me more of a struggle with arrogance and self-importance and egomania. To think that someone wants to do with an interview with me right now, for example. You know, five years ago no one ever wanted to do an interview with me so this is like, makes me feel like I am more important than I am. The fact that someone wanted to pay us to play a show, buy our CD, the fact that we have a CD. Any of the things, like Jesus said “Woe to you if people think well of you.” And I’m always afraid that, to whatever extent we haven’t been successful by most standards, to whatever step we have been, I think it’s probably hurtful to me, spiritually. I don’t know. What do you think? I mean you don’t know me but is that generally a dangerous thing?
I mean, I don’t know. There are a lot of issues and things in this world that I don’t agree with. I’m sure you’re aware of the current state of the youth and how everything is, importance is placed on technology. Everyone is focusing and drinking all weekend and getting high and doing all these things. I see that and I walk around school and hear about people talk about things that doesn’t make sense. I see all these things around me and I just don’t see a purpose to give such importance to whether or not you get something, whether or not you get a TV or whatever. There are just so much more important things. Yeah, those things may give you pleasure, but they’re not going to last. They’re not going to be there for you when you need someone, like God is. God is always going to be there for you, God is always going to listen, always going to help. Even though people say God didn’t answer my prayers, or didn’t do this. It’s when he is most silent, is when he is most at work. There is so much stuff going on in the world and no one is doing anything about it. There is so much poverty in the world, there is just so much stuff going on in the United States, everyone is focusing on the war in Iraq, putting money towards that and oil.
The thing I see most wrong about this world is there is no unity. Everyone is out for themselves, everyone is trying to be better than everyone else. The competition is always, I have to have a bigger house then this person. Instead we are not helping each other, we are not sacrificing something of ours, to help someone else. We are not giving our time, to help someone else. And that is the problem I see most about this world. There is no unity among man. We’re all in this together, we are all one big family. There is no unity and people don’t care about each other.
(Aaron sits silently, thinking about something and looking at me.)
– What is your involvement with The Simple Way and how would you explain it to those who don’t know what it is?
The Simple Way is a house, an organization of people, friends of mine, that live in North Philadelphia and try to follow Jesus by sharing their lives together, sharing their possessions, and serving their neighbors. They take the Commandment seriously, love your neighbor as yourself and doesn’t mean you should be nice or polite to people but really loving people. Laying down your life, your possessions, your conveniences. I lived at their place for about 3 months, 3 years ago. That time changed my life and I still stay with them sometimes when I am in Philly, and stop by and spend time with them. It’s just a handful of people that take the teachings of Jesus more seriously than most groups, and the spirit of God is strong and clear. A group of people that I’m very grateful for, that I hope to always be united with them in some way. But it’s not totally extraordinary people, fairly ordinary people, just doing something that is some what extraordinary. They’re trying to follow Jesus, to be in a more honest way, in a more thorough way. But they wouldn’t want to be sensationalize, just saying that anybody can do this. It’s a matter of loving the people around you, and not being, like you said, in competition for these things in the world of wealth and respect.
I’ve been reading Shane Claiborne’s book, “The Irresistible Revolution” and I’m halfway through that. That book is just affecting me, showing that you can just strip away all the common things that people have and helping people. It’s not the things people put importance on that are the things that are important in life. It’s a good book.
Yeah it is.
– What do you think is the biggest issue facing Christianity and what does it mean to truly be a Christian?
I mentioned the issue of wealth and greed with me, Christians in particular, is important because we say we follow Jesus, who said, “blessed to the poor, woe to you if you are rich, but we are rich in culture”. Even the poorest of the poor in our country are still rich compared to wealth standards if we all have access to running water and electricity and heat. We have a lot and I think it’s hard to feel our need for God in those circumstances. Also, what you mentioned with Iraq and the fact that all Christians are waging war even against countries, when we are told not even to defend ourselves, ” Do not resist an evil person but turn to the other cheek, love your enemies.” So far from doing that, we’re waging war against our enemies in case they ever strike us, we’re killing them before they can even strike us. And it’s received as a blessing and a sanction, the approval of most of the churches or many Christians that I meet, think that we need to support our President, support what our government decides to do. And it me it seems wicked. That’s an issue facing Christianity; how do we react to war and the possibility of taking a pacifist position is not even considerate. But for groups like the Amish, and the Mennonites, and the Quakers, that is what I’ve come to identify more with, called the Anabaptists groups. They just say “We don’t pick up arms, no matter what.” I just wish more of Christianity would take seriously, the teachings to not resist evil.
– What is your opinion of the music industry and how independent music is looked upon?
I don’t really have an opinion of it. The music industry is just like anything of business. And to try and make money, is one motivation for living your life or for working a job or try or creating art. But to share what you believe is true and inspire or try and help people or make something beautiful and glorify God. Those are all very different motivations, ones that I hope people, especially in independent music world, that would be more of a motivation, people are trying to spread what is true and encourage people to do the right thing, rather then just, the bottom line is the dollars, you know? How many records you sell and all that stuff won’t bring you any peace. It doesn’t impress God and doesn’t make a different to God whether you made a gold record or you just sang in your room by yourself. Like the intention and motivation in your heart is much more important. I just don’t have much of an opinion of it, just seems more like another business.
– What is the most important thing in life that you feel many of us are forgetting about?
I mean, we are always forgetting about God. My mom taught me that we should be praying for forgiveness with every breathe. My dad said to think of God all the time, all day, all the time. And most of the day, I’m thinking about many other things, so I’m trying to quiet my mind and think about God and realize that no matter what goes wrong, God’s will, will be done. If something seems to be going right, not to put our hope in that, “Oh this is great, it will always be like this.” No, I’m going to die one day, everything I see is going to pass. But to think of God as the only one that will never pass, never change, the beginning and the end, the eternal One. That’s the reality that I want to be in tuned with, but I’m not, you know? I’m caught up in the waves of the illusion of this world and emotions and circumstances that come and go. Yeah, I need help.
– How do you wish this band influences people and do you think you’ve accomplish it as yet?
I hope people can love God and love other people more because my experience trying to find happiness in other things, and not relationships or ambition with music or you know, anything I’ve tried to do like trying to be smart or a good writer, or anything I’ve always wanted to come out of being in a band. None of it makes me happy, I hope people can see that, take my experience and one man’s experience, that nothing makes you happy except for the love of God and the light of God that shines in your heart. And realize that you don’t need to be good, you don’t need to be together, you don’t need to be smart, you don’t need to be cool, you don’t need to be good looking, you don’t need to be confident or you know, successful or rich. You don’t need to be any of those things, you just need to be broken and lonely and humble and needy, which all of us are deep down but we just hide it and try and act confident and together. So we come to God broken and then God is the physician, God is the potter. God is the loving healer, the mother and the father and lover of us all, the restorer, the forgiver, the most patient one, the most merciful, the most kind and gentle one. We’ll find all we need in God, in God’s provision and protection. Not a religious group or going to a church on Sunday, or joining an organization or something like that. In reality, God is the source of love and light and serving others and forgiving others and praying for others and mediating on good things and humbling yourself and not taking yourself too seriously. All these things you know, different aspects of it. The one life that I’m trying to communicate or trying to live, is a life of faith and a following of Jesus.
– What is the most memorable memory that has changed you the most as a musician and person?
When I went to visit the Brudov (not sure if this the right name) community in upstate New York. It’s a community, similar spirit of The Simple Way, people just living together, and just many more people. It was just while I was staying at Simple Way that I went to visit Brudov and I remember being up one night and the wind was blowing outside and I thought if I went out I would see an angel outside. There was a stuffed gorilla in the room, I was ready for it to start talking to me. And the way the shadows were falling on the curtains by the window, everything seemed alive. And I realized that what I wanted along was not the Christian religion but was God Almighty. And I felt free and my duty all along was not to convert people to think like I think but to love people and to serve people. That hit me because I saw people who loved each other and I felt the spirit of God and I tasted the fruit of peace. And I thought, this is what I want and I don’t know anything. That I am known, and I better stop pretending.
– Is there anything else you want the readers to know?
No.
Recently I had the honor of interviewing Ryan Tapert, drummer of This Providence. He told us about the new record which came out this month, future plans for the band and their time on the road with Paramore, Hit The Lights and Cute Is What We Aim For.
Reema: For starters, could you please introduce yourselves for the readers and state what you do in the band?
Ryan: My nameâ┚¬Ã¢”ž¢s Ryan and I play drums in This Providence.
You guys did an in store yesterday in St. Pete. How did it go?
It was awesome. It was our first in-store so we were a little nervous because weâ┚¬Ã¢”ž¢ve never had to do this before but there was a ton of kids there and it went over really well so we were happy with it.
Your self-titled album was released a couple of weeks ago. Please tell us a little bit about it. How has the reaction been so far?
The reactions been great! We had a really good first week and everyone at the shows have been really, really excited about it. All the people online have liked it a lot too so thatâ┚¬Ã¢”ž¢s made us feel really good about it. We had hopes going into it that it was going to do well and weâ┚¬Ã¢”ž¢re happy that it did. The album itself is really a lot different from our last CD. Itâ┚¬Ã¢”ž¢s a lot more diverse. Itâ┚¬Ã¢”ž¢s not one particular style; there are a lot of different types of songs and different variations of music types on it. It was an album people had to go into not having much expectations of what they wanted it to sound like.
That was sort of related to my next question but what was the recording process like for the album? In general, how would you compare it to your previous record â┚¬Ã…”Our Worldâ┚¬Ã¢”ž¢s Divorceâ┚¬??
The recording process this time around was cool because we had the same producer for both releases. Our first CD was the first CD he had ever done so he kind of didnâ┚¬Ã¢”ž¢t know what he was doing and we were just like â┚¬Ã…”oh lets try this, letâ┚¬Ã¢”ž¢s try that.â┚¬? This time around heâ┚¬Ã¢”ž¢s got a lot of CDs under his belt. He did Gatsbyâ┚¬Ã¢”ž¢s American Dream, Daphne Loves Derby, Forgive Durden, Fear Before The March Of Flames…just a bunch of CDs. So when we went in this time not only had we had two years to grow as a band and as musicians but we all knew to ask him about what we wanted and he was able to talk to us and help us to get exactly what we wanted to sound like. We also had twice as long to do it this time so it was a lot more relaxed.
What song on the new album do you think reflects the band most? If you could play one song for someone who had never heard your band before, which would you choose?
I think it would a song called â┚¬Ã…”â┚¬Ã‚¦But What Will They Sayâ┚¬?. The song is about not caring what people think about you; like the first line is â┚¬Ã…”Oh Iâ┚¬Ã¢”ž¢m afraid, oh god Iâ┚¬Ã¢”ž¢m afraid. What will they think?â┚¬? A lot of people in this world really focus their whole life around â┚¬Ã…”What are people thinking of me right now. How do I look? What am I going to say? How am I going to act?â┚¬? Plus, itâ┚¬Ã¢”ž¢s saying that weâ┚¬Ã¢”ž¢re just going to do what we want to do and sometimes weâ┚¬Ã¢”ž¢re going to be a little afraid of how people think of us but really, as the song progresses it goes from being scared to being confident about who we are and what we believe in. Thatâ┚¬Ã¢”ž¢s the message in the song that weâ┚¬Ã¢”ž¢re trying to bring out.
Would you say that is the running message for the entire album?
The album itself doesnâ┚¬Ã¢”ž¢t really have a strong theme. A lot of the songs are about frustration and overcoming things. That would be a good song to pick out that has a really good, strong message. And I think we focus some of our songs around that but not all the songs fit together in a category.
Have you been playing songs from your old record at all on this tour or do you guys like to focus on the newer ones?
Weâ┚¬Ã¢”ž¢ve been playing about 2-3 old songs still cause the CD just came out last week so still not everyone has either A. bought it or B. know all the songs yet. We still want to be able to play songs that people are going to sing along to. When you play to a crowd and you just play a bunch of new songs and no one knows the words so they just kind of stand there and stare at you; thatâ┚¬Ã¢”ž¢s not that fun of a show! Whereas if you play songs that people know, theyâ┚¬Ã¢”ž¢ll want to get into it. Weâ┚¬Ã¢”ž¢re going to slowly add more and more new songs and maybe just keep one or two old ones for all the old fans but for the most part itâ┚¬Ã¢”ž¢s going to be all new songs.
Have you guys been gaining a lot of new fans on this tour?
Yeah, itâ┚¬Ã¢”ž¢s been amazing. Each shows been sold out and every night so we get a ton of people just come up and say â┚¬Ã‹Å“Oh weâ┚¬Ã¢”ž¢ve never heard of you guys before. You guys are awesome! We love you!â┚¬Ã¢”ž¢ For us as a band, itâ┚¬Ã¢”ž¢s really awesome to get that kind of response. Thatâ┚¬Ã¢”ž¢s what we want and itâ┚¬Ã¢”ž¢s happening so weâ┚¬Ã¢”ž¢re happy about it!
How did you guys come up with the idea for the artwork on the album?
Like I said earlier, the kind of theme but not really theme is restoration. The theme of the artwork is the front has a door in front of what looks like used to be a house but it was destroyed. As you go through the booklet the house slowly gets pulled back up so it really does gets restored. For the artwork we were thinking â┚¬Ã…”What is something we can use that can be destroyed but go through a process where itâ┚¬Ã¢”ž¢s built back up again?â┚¬? So we went with a guy called Evan Palebird and he did all of our artwork for us. Heâ┚¬Ã¢”ž¢s done Panic! At The Disco, Cute Is What We Aim For and The Academy Isâ┚¬Ã‚¦ He does a lot of Fueled By Ramen bands so his named got thrown out there and we gave him a shot to see what he could do and we loved it.
In these past couple years Fueled By Ramen as a label has gotten huge as well as many of the bands on it. Is it burdening to be on the same label that bands like Fall Out Boy and Panic! At The Disco have blown up on or is it comforting knowing youâ┚¬Ã¢”ž¢re on a label that continuously produces successful bands?
We love it. I mean, when youâ┚¬Ã¢”ž¢re a smaller band on a label that has those bigger bands on it you look at them and youâ┚¬Ã¢”ž¢re thinking â┚¬Ã…”Weâ┚¬Ã¢”ž¢re in the same spot they were six months ago.â┚¬? and so six months from now we have the possibility to be at the same point as them or possibly farther than they are. Thatâ┚¬Ã¢”ž¢s really exciting for us as a band. Fueled By Ramen puts just as much emphasis on every single band that they sign. Itâ┚¬Ã¢”ž¢s not like they go â┚¬Ã…”We just like this one and this one and all the restâ┚¬Ã‚¦ weâ┚¬Ã¢”ž¢ll just do a little bit for them.â┚¬? They put 110% into every one of their bands to its really awesome for each band to walk into that situation and look another band and be like â┚¬Ã‹Å“We can at least do that if not more.â┚¬?
So you donâ┚¬Ã¢”ž¢t feel pressure to get onto the same level as them?
No, I mean it would be awesome if we were but its not like we have an obligation to be. Its not like â┚¬Ã…”Oh we have to be the next Panic! At The Disco. We have to be the next Fall Out Boy.â┚¬? We just want to be This Providence. We want to be who we are and if we get huge and play arena tours then awesome. If not, we still love what weâ┚¬Ã¢”ž¢re doing. Honestly though, if we were to stay at the level weâ┚¬Ã¢”ž¢re at right now for like the next five years, I donâ┚¬Ã¢”ž¢t know how much longer that would last. We want to make a living doing this cause its what we love but still at the same time, itâ┚¬Ã¢”ž¢s not all about the money but we still have to make some money to survive.
What has been your favorite Fueled By Ramen release this past year?
I really like the new Gym Class Heroes CD, that was a really good one. Cute Is What We Aim For is awesome as well. What else came out this year? Forgive Durden, thatâ┚¬Ã¢”ž¢s it! Weâ┚¬Ã¢”ž¢re really good friends with them cause theyâ┚¬Ã¢”ž¢re from the same city and weâ┚¬Ã¢”ž¢ve toured with them before so that would probably be my favorite.
Aside from music, what influences you as a band and personally?
My dad. Iâ┚¬Ã¢”ž¢m sure the other guys would agree that their parents did a lot too. My whole familyâ┚¬Ã¢”ž¢s really musical and so growing up they always supported me in everything I did. Anytime weâ┚¬Ã¢”ž¢d be doing something my parents would be like â┚¬Ã…”Oh cool, thatâ┚¬Ã¢”ž¢s awesomeâ┚¬? and just be behind me 100%.
When you were starting out how did the Seattle scene embrace your music? It seems like you guys have a huge following there.
Our Seattle fans are awesome. When we were breaking into the scene like the cool bands I remember wanting to watch were bands like Acceptance and Gatsbyâ┚¬Ã¢”ž¢s American Dream, so when we got to play shows with them we were freaking out. So we were playing with those bigger bands and then their fans started to come to our shows a lot more. Now when we play Seattle shows we bring tons of smaller local bands with us and we still have those same fans from two years ago. It awesome, our fans are so devoted. Itâ┚¬Ã¢”ž¢s amazing.
Your band personally has gained a huge fan base over the Internet. Despite illegal downloading and album leaks, would you still say that the Internet helps bands and musicians get their word out?
Oh totally. If you think about it, if you go to a show how many of these people that are at the show because they saw something on Myspace or Purevolume or Absolutepunk? If those kids werenâ┚¬Ã¢”ž¢t on the Internet all the time looking at that stuff a quarterâ┚¬Ã‚¦no, three quarters of the kids at these shows wouldnâ┚¬Ã¢”ž¢t be here. The Internet is huge in making or breaking a band. If you look at Cute Is What We Aim For, they had a huge online presence going in and when their CD came out they sold 13,000 in the first week. Itâ┚¬Ã¢”ž¢s unbelievable. Its ridiculous how good the Internet is for bands out there.
So then do illegal downloads not bother you guys too much?
Itâ┚¬Ã¢”ž¢d be nice if people didnâ┚¬Ã¢”ž¢t download it but then again when you think about it, if someone does download it thatâ┚¬Ã¢”ž¢s one more person who does have our music. Yeah, we want people to buy our records but at the same time we feel its important that if our music gets to someone whether they paid for it or not and it helps them out in their life then itâ┚¬Ã¢”ž¢s worth it.
Right after this tour you guys are headed out on the road again with the Hush Sounds and before this you guys were touring for a few years straight, right?
Yes.
How do you keep from getting burnt out after all this vigorous touring?
One of the reasons is that weâ┚¬Ã¢”ž¢re on Fueled By Ramen and its amazing because now if we need anything we can always go to them and they help us out. Plus, this tour and the past tour weâ┚¬Ã¢”ž¢ve done weâ┚¬Ã¢”ž¢re touring with other bands on our record label which is cool because when we go and we go play shows like that we have all these fans that like all Fueled By Ramen bands so the shows so far have been sold out. That and weâ┚¬Ã¢”ž¢ve gotten to the point where weâ┚¬Ã¢”ž¢re not just people who are friends and in a band; weâ┚¬Ã¢”ž¢re like brothers. Itâ┚¬Ã¢”ž¢s like our van is our house and everyone in the band is like my sibling. My normal life is when I play music. When I go home is now when I feel awkward, like when Iâ┚¬Ã¢”ž¢m just hanging out with my friends that I used to go to school with. I went on vacation with my family and I would be sitting in a lawn chair and Iâ┚¬Ã¢”ž¢d be bored out of my mind because I wanted to go go go its like â┚¬Ã…”Just chill! Relax!â┚¬? It definitely takes time to get used to but once you get used to it, it becomes your normal life. As long as you got kids coming to the shows to sing along itâ┚¬Ã¢”ž¢s totally worth it.
Have you guys been to the label yet since its down here in Florida?
Weâ┚¬Ã¢”ž¢re going tomorrow! So far we havenâ┚¬Ã¢”ž¢t had a day off down here in Florida but were staying at our A&R guy, Johnny Minardiâ┚¬Ã¢”ž¢s house tonight and then tomorrow morning before we leave to go up to Rhode island were going to go and stop by and get some CDS and say hi to everyone.
Well, tonight is the last night of the tour; any final thoughts about it? What has been the absolute best moment of this tour so far?
Oh man, this tour was unbelievable. We went into this tour knowing it was going to be a good tour but didnâ┚¬Ã¢”ž¢t expect almost every single show to be sold out. Just the response that weâ┚¬Ã¢”ž¢ve gotten, its really exceeded everything that we wanted and I bet you anyone in the band would agree that this is the best tour weâ┚¬Ã¢”ž¢ve ever been on in our lives. It kind of sucks from now on going on tour that maybe arenâ┚¬Ã¢”ž¢t as good as this one cause now its like we have to go back down but donâ┚¬Ã¢”ž¢t get me wrong, all tours will be fun. We wish all our tours could be like this though because weâ┚¬Ã¢”ž¢ve become best friends with Paramore and Cute Is What We Aim For. Hit The Lights are awesome; we love those guys.
The most memorable momentâ┚¬Ã‚¦I donâ┚¬Ã¢”ž¢t know. Thereâ┚¬Ã¢”ž¢s just so many crazy things. Probably stuff I shouldnâ┚¬Ã¢”ž¢t even say in an interview! We had one day off in Arizona because our tour managers from there and he took us to a lake where we went cliff jumping on like 50-60 foot cliffs. It was amazing. He was going insane and like doing swan dives and back flips off it and were all freaking out. We got Shaant (Cute Is What We Aim For) to jump and he jumped from like the 50-foot cliff and his hands are like shaking cause heâ┚¬Ã¢”ž¢s afraid of heights and we were like â┚¬Ã…”Do it!â┚¬?
It doesnâ┚¬Ã¢”ž¢t sound too safe!
Oh itâ┚¬Ã¢”ž¢s not safe at all but it was fun!
What are your plans for next year? Is there a chance of a headlining tour in the future?
Probably not. We want to wait a while to do a headlining tour. Our thought is weâ┚¬Ã¢”ž¢ve been on tours where a band is headlining and it didnâ┚¬Ã¢”ž¢t meet their expectations; we donâ┚¬Ã¢”ž¢t want that to happen. We want to do something like this tour has done. Paramoreâ┚¬Ã¢”ž¢s CD has been out for over a year and they just now did a headlining tour. They got to the point where they have so many fans that when they did their headlining tours every show sold out. So we feel like itâ┚¬Ã¢”ž¢s not worth it for us to do a headlining tour until we get to that point but we’ll be playing a lot more tours next year. This year we have planned all the way until like December 17th and then next year weâ┚¬Ã¢”ž¢re planning on being on the road for most of the year and maybe do Warped Tour but we have nothing set yet.
Are you guys going overseas soon?
We want to! We tried toâ┚¬Ã‚¦ at the end of this tour Paramore and Cute Is What We Aim For are going and we tried to get on board to going on that but it just didnâ┚¬Ã¢”ž¢t work out. Hopefully in the next year we can make it over there. We really, really want to get over there cause Europe would be amazing. Donâ┚¬Ã¢”ž¢t give up hope!
Thatâ┚¬Ã¢”ž¢s all I have. Anything else you want to add?
Pick up our record. It just came out!
Thank you!
This interview was written in August and done through e-mail, completed Tuesday, September 26, 2006 by Andrew McMahon of Jack’s Mannequin.
1. Your record sports a Parental Advisory sticker, what does the use of profanities contribute or detract from your music?
I write what is in my heart. If a profanity surfaces in a lyric and I feel that it is the most honest illustration of what I’m trying to say at the time I use it. My concern is creating honest art not albums free of little black warning labels.
2. I have read your blog every chance I have gotten over the past year, and you posted about the one-year anniversary of your diagnosis with Leukemia. Looking back on that time in your life, what elements of your battle, if any, would you have approached differently? Would you have made any different decisions with Jack’s Mannequin?
I try and live a life free of regret. There are always things we would approach differently if we had the insight of their effects on the future, but as that is not a luxury any of us are granted I do my best to approach each day with passion, live it to the fullest and leave it behind me.
3. From Something Corporate to Jack’s Mannequin your appearance changed quite a bit, you went from curly blonde hair to short and dark, it also seemed like the topics of your songs changed to a bit darker of a tone, do these two things correlate at all?
Towards the end of Something Corporate’s run I was in a state of arrested development. I felt like a hamster on a wheel pandering to everyone else’s needs but my own. When I came home I was exhausted and the quickest way to establish my freedom was to ditch the hair and the glasses and start fresh. I was ready to grow and stop living within the boundaries that I felt had been erected around me. As far as the sound difference I find that assessment interesting, as I think the Jack’s record is considerably more upbeat and hopeful than “north”, the most recent soco effort.
4. You control the musical future of Jack’s Mannequin, obviously, when in Something Corporate there were 4-5 who controlled the direction of the band, is there anyone whose opinion of JM that you would trust more than your own? Or should I say, you might compromise your opinion for their opinion?
First of all something corporate has four governing members not five and as far as Jack’s is concerned it is important to me that I maintain a very pure and personal approach to the crafting of the songs. I of course listen to surrounding opinions as I don’t think anything great can be created in a vacuum, but I prefer to keep the input limited to a very close and select group of artists.
5. Last summer at the Warped Tour JM had a booth following the tour where fans could write you letters, how many of those did you read? What impact did they have on you?
The impact was huge. When you are that sick just having a friend show up and sit with you for the afternoon can brighten your whole day. When thousands of people are sending you amazing and heartfelt letters it is so powerful and so motivating. Reading them personally was hard as my sight was greatly affected by the drugs i was treated with, but my family and friends were constantly passing along the kind words from the tour and for those fans I am forever grateful.
6. I read that you paid for the first production of the JM album out of your own project, was starting JM like starting over new, or did your fame in SOCO play a role?
I did not have a label for the majority of the Jack’s recording, so yes I was forced to pay the expenses out of pocket. In some ways it was like starting over, but really it was more like therapy. I wrote the songs because I was moved to write….a lot. I had made enough money from my days with Something Corporate that I was willing to spend it to create something that was pure and that spoke so directly to my passion for what I do, which is write songs.
7. Sent in from one of our readers: Do you speak any other languages?
I used to be pretty good with spanish, but lack of study and fewer trips across the border have not helped me gain much ground. One day I’d love to live in a spanish speaking nation and become fluent.
8. The amount you tour has increased exponentially over the last few months, how close to 100% are you feeling these days?
For the most part I feel 100%. I would be lying to say doing the headlining shows have not made me aware of some of the effects of my treatments. My lung capacity took quite a hit from the radiation and my legs are a lot weaker than they used to be. I’m doing my best to condition myself to a point where I will no longer notice, but that kind of training will have to wait until I have a bit more time at home to focus.
9. Tell me about the Dear Jack Foundation.
Simply, it’s a foundation I started to help appropriate money to charities that are making an impact on the research and awareness of Leukemia, Lymphoma and other blood diseases.
10. Can you tell us anything about the Dark Blue video?
Watch it! it’s cool. And if you have time vote for it on the video networks so more people will hear about the band.
11. Any last comments?
Thanks to my awesome fans for sticking with me for so many years. It’s been incredible being on tour and meeting kids who are in college now who have been seeing my shows since the were in middle school. What an honor. I am very lucky.
Casey: Yes.
Mike: Is that the answer to my first question?
Casey: It depends. Should it be? What’s the first question?
Mike: Let’s see, what can I come up with here? Do you enjoy molesting small children?
Casey: No, that is most definitely not the answer to your first question.
Mike: (Laughs) Okay for real now. Can you please introduce yourself and say what you do in The Dear Hunter?
Casey: My name is Casey Crescenzo and I, so far, have done everything except drums in The Dear Hunter. And now I’m going to be playing mostly lead guitar and lead vocals in The Dear Hunter.
Mike: Let’s start off with some history: The Dear Hunter is a fairly new project. How did the band get started and how has it progressed to this day?
Casey: The Dear Hunter got started two Christmases ago I think, when I got back home from recording the Between the Heart and the Synapse record. And I just started writing more, and I wrote stuff that didn’t really sound like the band I was in. And I started writing a story to go along with it. The name of the main character was The Dear Hunter and it just worked out that way. It just started as me doing it for fun, and I gave four CDs out with eleven demos on them that are the Ms. Leading demos now. I gave them to the guys in the band and a couple of friends, and didn’t think anything of it. Eventually they started to circulate and certain demos got out. People started burning the CD and I never really had a problem with it. And then I decided to continue the story and to embellish on it. I started writing the EP, and then I realized the entire story and decided it’s going to be an EP, then a few LPs, and that’s how it has kind of progressed.
Mike: Many people must be wondering what happened with The Receiving End of Sirens. Could you shed some light as to how you stopped playing with them?
Casey: There were a lot of contributing factors to the state of mind that I was in. But basically for a year straight I had not been really in a good place, and I was kind of letting that flow over into everything else in my life. Instead of going out of my way to let everyone know that it was just me, and not anyone else, it started to affect everyone. And eventually I think it just got too much to handle for them, and I tried to let them know before it got to that point. But I just needed to get well, and I was physically very sick. I think it just became a matter of them weighing out whether or not they could handle it. I think the cons outweighed the pros for them, and they just let me know that they thought that it would be best for everybody if they went on without me. And at first I was pretty freaked out and taken aback and shocked, but afterwards I could understand where they were coming from. I think the equation of me plus them was amounting to a lot of discomfort and unhappiness for everyone, including myself. Looking back on it now I respect their decision, as much as I disagree with it, or have personal disagreements with how it was done, or whatever petty thing that I feel about it; I definitely think it was the best for everyone. And I’m just trying to make the best of what I can, given the situation.
Mike: Besides you, who is in the current lineup of The Dear Hunter, and what instruments do they play?
Casey: There is Luke Dent, who plays keyboard, and eventually auxiliary guitar and background vocals. There is Erick Serna who’s the lead guitarist. And yeah, they’re both pretty amazing at their instruments so it’s awesome.
Mike: I recognize Luke Dent as being a member of Faraway before they broke up. Are there any other ex-members of bands or are they all pretty much new additions?
Casey: Pretty much all new additions. Luke was the only one and it was basically because I’ve been friends with him for so long and I was looking for a piano player, and somewhere in conversation between us I remember him saying something about piano, and I always just knew he was a good musician, and it just kind of dawned on me. And I just asked him one day, “Do you play piano well?” and he was like, “Yeah, I can play piano.” And I was like, “Do you want to be in the band?” and he was like, “Yeah sure.” So it worked out. Otherwise, everyone else, Erick is a friend for a long time, so all basically new people.
Mike: Your debut EP, Act I: The Lake South, The River North, comes out September 26th. Was this recorded alone as a solo project or did you have your band play their parts?
Casey: A lot of it was recorded when I was still in The Receiving End of Sirens, so it was just recorded as a side project would be. But my brother played drums on it, my dad played some organ, and my mom sang background vocals and a friend of mine, Tom Neeson, played trumpet on it. But that’s it. And actually, the two guys who play horns for Monty Are I played all of the horns on the second track of the CD. So it’s pretty awesome.
Mike: Can you tell us a little about the theme of the album?
Casey: The theme of the album follows along the basic plotline of the entire story, which is either three or four parts. I haven’t decided whether or not the fourth is strong enough. But the first part is the EP and the theme is basically: there’s this character and it’s following him and his mother, who’s raising him on her own, and just the things that she has to go through to raise a child on her own in light of the times, because it’s kind of based around the time period of 1900 or thereabouts. So it’s really just about that and it’s kind of starting the story. That’s why it’s an EP too. There’s not enough there to constitute a full-length for me. It’s just that there are a lot of things that are embedded in the story of the EP that come up much later on, that it will make a lot more sense if you have the EP to refer to as the original story than if you just try and make sense of it on its own. Because originally I just asked the label, “Can I do an EP?” and it’s not really even a contracted thing; they just said, “Yeah, we’ll do it for you.” So it worked out really well.
Mike: A demo of the song “Red Hands” has been up on your purevolume for a while now and is the most-listened-to song of yours on Last.fm. I’ve read the lyrics, but can you give us the official meaning of this song and how it relates to the boy’s story?
Casey: “Red Hands” is actually going to be on the full-length, which is the second act, which is Ms. Leading. And that part of the story is right as the character has this realization about the love that he’s kept for the last period of his life, and he finds that it’s all been kind of fake, and it’s all been kind of a ruse and an illusion. So that’s kind of the idea behind it, and I think you can kind of figure by the lyrics what he’s figured out, you know what I mean? Are you asking is it personal or anything like that? No, just basically what it is? That’s basically what it is (laughs).
Mike: You were having a difficult time finding someone who would finish the album artwork. Have you found anyone yet to design the CD?
Casey: Yeah, actually it’s Jealous Republic. Originally it was the drummer of then-named Monty, now Monty Are I. He was doing the artwork and he was doing a really good job, and then his band kind of took off, and I kind of didn’t (laughs). So I couldn’t really fund his time. And then for a week I found this one other dude, who was really amazing, and then I haven’t seen him online since. He sent me one sketch â┚¬Ã¢â‚¬ I haven’t seen him anywhere. And then, I just talked to the people at Jealous Republic, who did a lot of TREOS merchandise, and I’ve known that Zach Nicodemo… it’s Zach and the other guy is Brian, but I forget his name [Bartholomew], and that makes me a bad person, but… Zach and Brian… and I knew from seeing sketches that Zach had done that he was a good artist. But when the whole thing happened with TREOS I was kind of hesitant to talk to anyone that was connected in that whole world, because I didn’t know what they had thought of me or if they would be uncomfortable around me or anything like that. And then when I finally started to talk to everyone it was really comfortable, and I told him what the idea was and that I wanted his help, and he was really excited. And they immediately started working, and money wasn’t an issue, none of that, and it was awesome. And they just finished the EP artwork, and they did these two shirts, and next is starting on the full-length art and the book, which is going to be pretty hefty. So they are The Dear Hunter art people, because it does revolve around both music and art, so they are in charge of art.
Mike: What major influences went into the songwriting of The Dear Hunter?
Casey: Well, it was weird, and I definitely am inspired by a lot of different music, but for The Dear Hunter it got to the point where, after being on the road every day and hearing five different bands a day, and then being on tours where there were twenty bands a day, I kind of stopped listening to music in general. And at the same time my dad had been writing a lot of music, which you know, he does anyways. But he had been writing a lot more than he usually did and sending it to me, and it all had a really classy vibe. And I started listening to his older songs and stuff like that. And it was really inspiring. Mostly his stuff. Really, because it had this whole R&B-but-jazz and fusion-but-rock flavor to it that I just really loved. And if you listened to it and listen to my music you would either say, “Wow that’s really similar” or you would say, “Wow that’s nothing alike.” But mostly my dad’s music and music that my dad used to play in the car â┚¬Ã¢â‚¬ bands like Weather Report and Return to Forever and older fusion bands, because I don’t know… I don’t dislike contemporary music but I can’t really get inspired by it. Because I don’t just want to end up sounding like them, even though I might. You think I do? Is that you’re saying, huh? Answer me! I’m asking the questions now, Mike!
Mike: (Laughs) Yeah, The Dear Hunter sounds like every other band out there, really (sarcastic). In one word (and only one) describe what we can expect from your debut EP.
Casey: What the hell kind of question is that â┚¬Ã¢â‚¬ in one and only one word? Um… (thinks) “heart?” I’d say that â┚¬Ã¢â‚¬ yeah. Either “heart” or… (thinks) I’m just trying to think of the word, because I know how to describe it; I’m trying to think of one word that does sums it up. Um, alright okay â┚¬Ã¢â‚¬ “honesty.” That’s a word, and that’s only one word. It’s a good thing you didn’t say one syllable (laughs).
Bryce Jacobson: Lets get a little background information on your life and how it lead you to becoming a DJ.
DJ Rossstar: I grew up in Long Island New York and was one of a tiny amount of people who got into bands like Green Day, Rancid, Offspring, Goldfinger, MXPX at a young age. Back then I only learned about new music from reading the thank yous in bands CD’s. There weren’t a lot of magazines that talked about punk where i lived, there definately were not radio or TV Show either. Music and lyrics have played a major influence in my life and it was a great feeling whenever I would meet a band that has inspired me. However, that didn’t happen too often. I started my show in 2002 at my college in Washington D.C. For years I wanted to listen to a show where I could learn about new bands and ask questions to some of my favorites. There never was one, like I said, so I made my own and now am I able to connect kids with the favorite bands on a weekly basis, much like I always wanted.
Bryce Jacobson: What has been one of the most rewarding experiences of starting your show?
DJ Rossstar: The amount of support and respect I receive from the music world. At first, people did not take the show too seriously, meaning, I would go to shows and hand out flyers and kids would just rip them up and laugh. I started with 5 listeners, then 50, then 500 and so on. I feel like I earned my respect and proved that I have what it takes to be a personality and good host.
DJ Rossstar: The other is the emails I get from kids. I will have their favorite bands in my studio, bands they may never get to meet in person and I allow them to ask whatever they want to know and for the kids that means everything to them and they are very thankful and are willing to help spread the word about the show.
DJ Rossstar: The “you have a great personality and I listen to you no matter who you have one” are obviously more rewarding then the “OMG You met Fall Out Boy emails, or you are soo lucky to meet these bands” Although I understand why that would be there immediate response.
Bryce Jacobson: I’ve gotten those e-mails before to, lol. We do it to help the bands and fans connect, thats what’s rewarding for me to.
Bryce Jacobson: Out of all the bands you’ve gotten to interview, do you have a favorite, one that maybe you really looked forward to getting on the show?
DJ Rossstar: Goldfinger
DJ Rossstar: They are my second favorite band next to Green Day and write some of the most influential lyrics, that are like no other band… The best part was they came over, did a great interview and now we keep in touch and they are always down to come back for more.
DJ Rossstar: Actually the best thing for me is bands that I have loved for years, Goldfinger, Less Than Jake, Reel Big Fish etc. are all the guys that I am closest with now in terms of bands that keep in contact on a regular basis.
Bryce Jacobson: You have been interviewed by other websites, other radio shows and have been asked hundreds of questions about almost everything. Is there one questions you wish they all would ask you but they never do?
DJ Rossstar: I wish they would ask, hey Rossstar, we have connections over at some big TV/Radio Networks, do you want to move your show to a bigger place!! LOL
DJ Rossstar: I enjoy answering any question I get, however, now I can talk about my 2 new TV Shows as well, wink, wink.
Bryce Jacobson: Thats understandable. Do you think if you ever did move to a bigger network your show would loose its personal feeling?
DJ Rossstar: I think the “personal” feel has to do with my personality. I make the listeners and the bands feel like they really know me and in a way they do….I see no reason why I couldn’t give off that vibe in a bigger place. Jimmy Kimmel, Kevin and Bean Howard Stern, etc. do.
Bryce Jacobson: I would have to agree with you, your personality is a big part of the show.
DJ Rossstar: Bands will come here, having never met me, and they will leave as if they were my long time friends.
Bryce Jacobson: So not only are you doing your online show two nights a week, you are now doing some stuff on TV. Can you tell us a little more about that?
DJ Rossstar: Yes. A wonderful TV network called Havoc TV offered me an incredible deal. If you have Cox, Adelphia, Comcast and a few other cable providers, you probably get Havoc. It is in the On Demand section of your channels, which are usually listed in the 1000’s. For now they have videos and sport videos but starting in mid-October, they will begin airing 5 minute clips, which are the “highlights” of when that guest was on my radio show. We also film separate interviews for Havoc so it is not just teh same thing as listening to my show. Also, HAVOC have a deal with DirecTV 101 (same channel as CD USA) where every night from 11pm-3am PST, they have control over the channel. They are starting a chat/video based show in October and they have chosen me as the host Monday-Friday.
Bryce Jacobson: That sounds amazing, I have Direct TV so I’ll have to check that out.
Bryce Jacobson: So with all of these things you have going on, whats a normal day like for you?
DJ Rossstar: Each day is different. I wake up, check my MySpace ( I answer every single email I get) finish booking this week’s guests, develop ideas for the TV shows, listen to music, go to shows.
DJ Rossstar: Every day is different. I like movies, bowling, eating at different restaurants and sometimes just driving around Hollywood to brainstorm ideas.
DJ Rossstar: I probably attend 2-3 shows a week, and my radio show is always a party too, usually 10-20 of my friends come to watch.
Bryce Jacobson: Do you have any one up and coming band that you would highly recommend people to check out right now? This could be a band you’ve either interviewed or not.
DJ Rossstar: Boys Like Girls are on Red Ink, their CD is out now and it is incredible. Also, I feel MC Lars is very overlooked. As for unsigned and smaller bands, so many have helped me out with promoting my show but off the top of my head, No One Goes Home, The Crush, OTI, The Trademark, Eudora, Takota, In Theory and Lights Resolve. Also, for the newer Green Day fans, they should check out Pinhead Gunpowder. It is Billie Joe’s side band, they have 5 CD’s out and a lot of Vinyl and Billie Joe and Jason take turns singing….a must have for Green Day fans.
Bryce Jacobson: You recently got to go play guitar on stage with Green Day, how was that experience?
DJ Rossstar: Unreal! I have met them numerous times and have seen them live over 34 times but NOTHING compares to playing guitar on stage for them while they sing!
DJ Rossstar: I have been trying to get on stage to do that since they started that routine on the Nimrod Tour in 97.
Bryce Jacobson: About time they called you up right, lol.
DJ Rossstar: For real. They know that I am the same guy who has been seeing them every tour, but I eventually gave up trying to get on stage. They tend to pick younger kids who have probably never seen them before but at the Home Depot Show on October 8th 2005, they were running low on time, Billie picked someone too young, and so he walked right up to me and was like “you finally wanna do it.”
Bryce Jacobson: Crazy.
Bryce Jacobson: So with your busy schedule do you find time to catch a movie or watch some TV now and then? If you do, do you have a new movie or show you would recommend?
DJ Rossstar: I am obsessed with Hell’s Kitchen. Season 2 just ended. I haven’t been that excited for a show in a long time. I also watch Grey’s Anatomy on a weekly basis and American Idol (guilty pleasure) Also, I can’t stop watching those MTV NEXT episodes. They show like 10 in a row at night and it sucks you in!
DJ Rossstar: As for movies, I love horror and I have seen well over 200 horror films from different countries. My favorite series in Friday The 13th but I love the Nightmare On Elm Street Series, Return of the Living Dead, Street Trash, Slumber Party Massacre 1-2-3, Night of the Demons 1 and 2, The Devil’s Rejects/House of 1000 Corpses…I can go on forever.
Bryce Jacobson: Sounds like it!
Bryce Jacobson: With technology advancing faster every year, where do you see the whole internet / radio / tv / podcasting world going and where do you see yourself in this mix?
DJ Rossstar: I have done Internet Radio for 4 years now and have done a few Internet TV shows and while it seems to be getting more popular, I think it will be a while until people turn to the Internet as their main source of radio/tv….I think it can either be really huge or really miss it’s time to shine.
Bryce Jacobson: We’ll thanks for your time and thank you for the wonderful show and I look forward to catching you on the TV soon. Is there anything else you would like to let our visitors know about?
DJ Rossstar: Feel free to IM me at anytime at Staridobi. I love to talk music and love to talk to fans and will do so at any time…it doesn’t have to be just during my show. Also, don’t be afraid to IM me. I want to talk to you! Don’t pull the “Meet me at 2. Okay? Woops, sorry, wrong IM” thing or the “Who is this? Someone put you on my buddylist” routine. Also, check out myspace.com/djrossstar I have a DVD on sale that I put out with some of the biggest bands today all been interviewed/performing in my apartment.
DrivenFarOff was lucky enough to interview Joshua Pearson from rock ensemble Nevertheless on their upcoming album Live Like We’re Alive due in stores September 19, 2006.
For introductory purposes, please state your name and position in the band.
Joshua- Lead Vocals and Acoustic Guitar
So your debut record is about to go live in just over a week, what are your feelings right now?
We are both excited and scared. We have put so much hard work and passion into the record, but I guess you never know how people will like it. That is the crazy thing about being an artist.
â┚¬Ã…”Live Like Weâ┚¬Ã¢”ž¢re Aliveâ┚¬? is the bandâ┚¬Ã¢”ž¢s first release with Flicker, but you guys self-released an EP, From The Inside Looking In, early last year. How would you contrast the music and motivations between these releases?
The EP was written at a different place in our lives. The songs were more just forms of free thought musically and lyrically. I would say that we thought the new record out more and prepared a great deal more than we did with the EP.
You worked with the renowned James Paul Wisner on this release. How did James change the way you approached making the album?
First of all, we have always wanted to work with James. He brought out the emotion that we wanted, and he taught us a great deal about the dynamics of a song. We really concentrated on each individual part and only did things which we felt would make the song better as a whole.
What was your favorite part about making the album?
Itâ┚¬Ã¢”ž¢s hard to pick a favorite part. One great thing was just to be so focused on a single thing in our lives for a long period of time. For two months, we ate, slept, and breathed the album. That was tiring and rewarding.
Any interesting stories to share while your were in the studio?
One interesting thing is that, at first, none of us wanted the song, â┚¬Ã…”Timeâ┚¬?, on the record. We fought everyone about that song and insisted that it didnâ┚¬Ã¢”ž¢t make the record. It took doing a demo of it in the studio and beefing it up a bit for us to see that it was, in fact, a great song. We are all happy with the outcome now!
How did Kevin Kadish add to the writing process?
Kevin is really a genius when it comes to knowing how to write a great song. I feel like we may have some good ideas, but Kevinâ┚¬Ã¢”ž¢s strength is seeing a song in its completion. He is great with melody and very deliberate with songwriting. That taught us a lot!
Personally, whatâ┚¬Ã¢”ž¢s your favorite track on the record and why?
It changes every week it seems, but I really love â┚¬Ã…”Live Like Weâ┚¬Ã¢”ž¢re Aliveâ┚¬?. We wrote that song about being in this band and giving all we have to this even when there is opposition. Every day it seems there is something that could bring us down if we let it. We have to constantly make the choice to give one hundred percent.
As a Christian band, do you think you have more obligations to tell some sort of message in your songs than a non-faith oriented group? And if you think you do, why choose the medium of music to get that message out?
There is an obligation, but it also comes naturally with our writing. We try to write songs that are real to us and that can also relate to the lives of others. Honestly, our initial goal was to write songs because we all loved music, but now we see that God wants to use us to encourage people. It is a humbling thing to be able to encourage people in their lives with testimonies from your own life.
Explain the how you chose the album title â┚¬Ã…”Live Like Weâ┚¬Ã¢”ž¢re Aliveâ┚¬?.
Well, as I explained earlier, that song is very important to us. After we wrote it, we thought that it would be great title track to sum up the whole album as well.
You recently shot a video for your single â┚¬Ã…”The Real,â┚¬? what was that experience like? Who did you work with?
We worked with a company called Film Stray Dog on the music video. It was a great experience! We were at the venue from about 4 PM until 4 AM, so we were super tired when it was over. It was our first time being on film at such high caliber, so it was rewarding and fun to watch!
What do you think is the hardest part about being in a band?
There are many hard parts, but the hardest is usually being with four other people a hundred percent of the time. We really are trying to learn to be servants to each other and cater to the individual needs that we all have. We try to be open and honest about our lives and what we are feeling.
My hometown is Oahu, Hawaii and this summer when I went back I heard â┚¬Ã…”The Realâ┚¬? playing on our local Christian music radio station. I guess this makes me curious if youâ┚¬Ã¢”ž¢ve heard your single on Christian radio yet? If so, how did that feel?
We havenâ┚¬Ã¢”ž¢t heard it in our hometown, but we randomly heard it in Colorado and also in Dallas. Itâ┚¬Ã¢”ž¢s a pretty crazy feeling. I was thinking that I hope we sound cool, because I donâ┚¬Ã¢”ž¢t know.
It looks like you have a string of dates lined up for Shoutfest. Can you tell us a little bit about that?
We are playing Shoutfest until the end of October. There is actually a Flicker Records stage. It is a ton of fun, and all of the bands get to hang out with each other all day.
If you could tour with anyone live or dead, who would it be?
I donâ┚¬Ã¢”ž¢t know if I can speak for everyone. It would be rad to tour with Dashboard Confessional just so we could watch the set every night. We are all big fans.
Is there any big Christian band (currently together) youâ┚¬Ã¢”ž¢d want to tour with?
We would love to tour with Reliant K.
Whatâ┚¬Ã¢”ž¢s the craziest thing a fan has ever done for Nevertheless?
I donâ┚¬Ã¢”ž¢t know. We get cookies all of the time. One time a guy offered me his autograph. I couldnâ┚¬Ã¢”ž¢t resist.
What do you see Nevertheless doing one year from now? And what are your long term goals as a band?
I hope that we are touring and that the record is selling well in a year. We really just want to stay consistent with the art and the message for the duration of our career. It is a goal to never write a song for the sole purpose of making us a â┚¬Ã…”bigâ┚¬? band.
Is there any question I havenâ┚¬Ã¢”ž¢t asked that you want to give an answer for? Shoutouts to make?
Thanks a ton for the support and taking the time to interview us. God blessâ┚¬Ã‚¦
DrivenFarOff would like to pay thanks to Joshua, Nevertheless, and Lori from the {m} collective for making this interview possible. We wish you great success on as you come upon release date!