I will be interviewing The Format next week at their LA date, so if you have any questions for the band, leave them in the replies!
The Human Abstract – Nocturne
Artist: The Human Abstract
Album: Nocturne
Label: Hopeless Records
Purchase:ԚÂ SmartPunk
Release Date: August 22, 2006
Overall: 9.0
Music: 10
Lyrics: 8.5
Production: 9.5
Bands are always trying to perfect their ability to mimicry the sounds and essence of other bands, that potentially have more success in the music industry. Spend an entire day listening to bands and youâ┚¬Ã¢”ž¢ll begin to notice that half of them are simply conjoined twins at the chest. One heartbeat, one soul, one existence. They are attached, identical, and they share one thing in common: they want to find the quickest way into the mainstream without having one ounce of creativeness flowing through their carbon copied veins. There comes a time when a band emerges from the womb that isnâ┚¬Ã¢”ž¢t conjoined to anyone else; one band with enough creative masterpiece to fuel the country of India.
The Human Abstract hails from California and they are a sculptorâ┚¬Ã¢”ž¢s glorious creation in the midst of a stream of artificial musicianship. With their latest release â┚¬Ã…”Nocturneâ┚¬?, The Human Abstract showcases exactly what they are capable of and what their fans can expect from them. This band consists of a wide range of genres and clearly create music without any limitations. Every song on this record consists of elements of progressive rock, pop, European metal, acoustic, and everything else imaginable. The heavy segments are brutal and the melodic choruses are catchy. Each song transforms you into a soldier going into a medieval battle against a nation filled with angst. Each song is filled with enough drive and intensity to motivate you, fuel you, and bring yourself to a reflection of the self. The songs serve as individuals. Each one emitting an aura with their own essence and theme, giving the listener a chance to feel a wide range of emotions while listening to â┚¬Ã…”Nocturneâ┚¬? as a whole.
The instruments are preformed with excellence, as if the band members were born with their given instrument strapped to their chest in conception. The guitars will leave you in a state of amazement with the overall sounds feeling like an illusion, something surreal. The drums are pounding loudly and echoing into each ear, leaving you with a sense of pride. Some of the most admiring aspects of this record are the acoustic guitar and classical interlude, which happens to give you a chance to lay back, relax, and reflect.
The Human Abstract have created an epic record that will leave you satisfied with the fact that finally, a band makes a record that flows against the current. During the coarse of 50 minutes, the record will strap you down with a blindfold across your eyes, carry you over the shoulder of a seven foot tall warrior, and place you on top of the highest cliff. From there, the blindfold will be removed and as you look down, you will see one of the most epic battles emerging from every angle. As the savages tear themselves apart, you hear a distinct sound echoing in the air. With each swing of the sword, a guitar riff. With each pull of the arrow, the pounding of the drums. With each body collapsing, the intensity of the vocals relapsing. As the glorious revolution continues throughout nightfall, you can only hear one sound playing in the sky: The Human Abstractâ┚¬Ã¢”ž¢s â┚¬Ã…”Nocturneâ┚¬?.
Track Listing:
1. Harbinger
2. Self Portraits Of The Instincts
3. Nocturne
4. Crossing The Rubicon
5. Sotto Voce
6. Mea Culpa
7. Channel Detritus
8. Movement From Discord
9. Polaris
10. Echelons To Molotovs
11. Desiderata
12. Vela, Together We Await The Storm
Cupid’s Chokehold Remake
A clip of the new Gym Class Heroes video for Cupid’s Chokehold has been posted.
The City Drive on tour in December
The City Drive will be heading out on tour with Fire Escape (Josh from Something Corporate) in December. Dates are posted below.
Dec 2 2006 San Jose Skate San Jose, CA
Dec 6 2006 The Jumping Turtle San Marcos, California
Dec 8 2006 Pizza Land Fresno
Dec 9 2006 The Cave San Jose
Dec 11 2006 Knitting Factory Hollywood, California
Dec 14 2006 Underground Reno, Nevada
Dec 15 2006 Jerry’s Pizza Bakersfield, California
Dec 18 2006 Marquis Theatre Denver, Colorado
Dec 19 2006 The Hurricane Kansas City, Missouri
Dec 20 2006 Creepy Crawl St. Louis, Missouri
Dec 21 2006 The Mad Hatter Covington, Kentucky
Dec 27 2006 Webster Underground Hartford, Connecticut
Dec 28 2006 The Icon Buffalo, New York
Dec 29 2006 The Knitting Factory New York
Pre-order Please Come Home
Do yourself a favor and pre-order Dustin Kensrue‘s new album here.
MxPx – Let It Happen Deluxe Edition
Artist: MxPx
Album: Let It Happen Deluxe Edition
Label: Tooth and Nail
Purchase: Smart Punk
Release Date: November 21, 2006
Overall: 8.0
Music: 8.0
Lyrics: 9.0
Production: 7.0
The first time around, back in 1998, â┚¬Ã…”Let It Happenâ┚¬? literally was the soundtrack to my high school years. I remember getting it for Christmas and being in amazement at how they fit 30+ songs on one CD. Well the time has come, and like all good things that can make money, it’s now time to be â┚¬Ã…”re-releasedâ┚¬? and sold again, (although, they never stopped selling it).
There are 3 new songs, which are being pushed pretty hard. 2 out of the 3 are quality MxPx songs, with â┚¬Ã…”Prozacâ┚¬? falling short and leaving much to be desired. They put 9 music videos on the DVD portion, which may be worth the 10 bucks alone to some people. The old demos that were added to the record are fun to listen to, but I wouldn’t buy the record just for the old demos. My feeling is that the collection of songs that made up the original â┚¬Ã…”Let It Happenâ┚¬? is classic. In my opinion, it did not need to be re-released, but on the other hand if you do not yet own the record, this is a good excuse to go out and buy it.
It’s good to hear the new songs that were recorded with Aaron Sprinkle who of course recorded MxPx’s first CD. I hope they team up for the next recording that MxPx does, because we all know they can’t stand to be out of the studio for too long. If you have the record you might skip the â┚¬Ã…”Deluxeâ┚¬? edition but if you don’t have it, please pick up the record.
Tracklisting
1. Role Remodeling
2. Prozac
3. Your Turn
4. Never Learn
5. Begin To Start
6. Swing Set Girl
7. Sick Boy
8. Oh Donna
9. Small Town Minds
10. First Class Mail
11. Can’t See Not Saying
12. GSF
13. Thoughts and Ideas
14. Easier Said Than Done
15. Rock and Roll Girl
16. Important Enough To Mention
17. Elvis Is Dead
18. Lifetime Enlightment
19. Let It Happen
20. Hot and Cold
21. So Kill Me
22. Suggestion Box
23. Creation
24. Want Ad (Alternate Version)
25. Honest Answers
26. Late Last Night
27. Biased Bigotry
28. Circumstance
29. Do Your Feet Hurt (Critter Version)
30. Twister Words (Original Demo)
31. Suggestion Box (Original Demo)
32. Too Much Thinking (Original Demo)
Senses Fail Video Interview
You can check out a video interview with Buddy Nielsen of Senses Fail over at PunkRockVids.com.
A Santa Cause 2 E-Card
Check out the new e-card for the upcoming A Santa Cause 2: It’s A Punk Rock Christmas album. You can buy the album exclusively on MySpace for only $9.99. The album features Christmas covers and originals from bands like Brandston, Brazil, Far-Less, It Dies Today, June, Meg & Dia, Spitalfield, and more.
The Starting Line Interview – November 13, 2006
Reema Desai: Could you all introduce yourselves and state what you do in the band please?
Kenny Vasoli: Iâ┚¬Ã¢”ž¢m Kenny and I play bass and sing.
Matt Watts: Iâ┚¬Ã¢”ž¢m Matt and I play guitar
Mike Golla: Iâ┚¬Ã¢”ž¢m Mike and I play guitar too.
RD: How has the tour with the All American Rejects been going to far?
KV: Itâ┚¬Ã¢”ž¢s been going good. Some shows are goodâ┚¬Ã‚¦some shows are great.
MW: I think that all around, Iâ┚¬Ã¢”ž¢m going to say 8.5 out of 10; Maybe 9 out of ten.
MG: We have a whole lot of down time but the shows are good.
RD: Do you guys prefer smaller clubs or the arenas that youâ┚¬Ã¢”ž¢re playing on this tour?
MG: I prefer kids that like us. I donâ┚¬Ã¢”ž¢t think it really matter what venue.
RD: (laughs) Are you saying that there arenâ┚¬Ã¢”ž¢t kids that like you on this tour?
MG: (laughs) no!
MW: the arenas are kind of overwhelming. Every show is really big and the kids are kind of young to the point of not being really familiar with who we are. Itâ┚¬Ã¢”ž¢s cool cause weâ┚¬Ã¢”ž¢re winning over a lot of kids, but the club shows that we normally play are just strictly for our fans so weâ┚¬Ã¢”ž¢re used to seeing kids rocking out a little bit more and being able to interact with the kids. Both things have their plusses and minuses.
RD: So youâ┚¬Ã¢”ž¢ve made a lot of new fans on this tour?
MW: Iâ┚¬Ã¢”ž¢d like to think so.
RD: You were on Drive Thru Records when they were huge and arguably at their peak. How has that affected your band today?
KV: Yeah, we definitely were on Drive-Thru at a good time. It was sort of like the Fat Wreck Chords of its time. When they were doing really well I was always looking at Drive Thru to see what bands were coming out and to be signed at that kind of time was really exciting. It did really good things for our band.
RD: How has the recording been going for the next album?
MW: we actually havenâ┚¬Ã¢”ž¢t started recording yet. We go in the studio the first week of January but all the songs are pretty much done. Weâ┚¬Ã¢”ž¢re all really excited about it and weâ┚¬Ã¢”ž¢re excited to make this record.
RD: Do you think that the songs are carrying a certain theme so far?
KV: No, Iâ┚¬Ã¢”ž¢m trying to stay away from themes for this record, because when you start getting tied up in a theme and trying to make everything follow some sort of common tie then I think itâ┚¬Ã¢”ž¢s a little bit too difficult to write what youâ┚¬Ã¢”ž¢re thinking about. So all the songs are completely disjointed; itâ┚¬Ã¢”ž¢s just going to be a bunch of songs.
RD: When is the soonest anyone will hear the new songs?
MW: Thereâ┚¬Ã¢”ž¢s a couple of floaters on youtube and we have demos but our managers being a nazi about letting them out. (laughs) So weâ┚¬Ã¢”ž¢re gonna try to muscle some out of him but hopefully soon.
RD: How would you describe the transition the band has gone through from Say It Like You Mean It to Based On A True Story to now this upcoming record?
MG: I think its better and a lot more positive than the last record we did. We got out of Geffen and that was really a low point in The Starting Line as far as morale and being positive while writing the record. This time everybodyâ┚¬Ã¢”ž¢s really excited and energetic. Itâ┚¬Ã¢”ž¢s kind of like going into the studio for the first time all over again.
MW: Itâ┚¬Ã¢”ž¢s sort of been like a natural progression. I think as a band, weâ┚¬Ã¢”ž¢re all just super excited to do this.
RD: How was the transition between labels?
KV: It was a great transition! Itâ┚¬Ã¢”ž¢s no real secret that we had our differences with Geffen. Our relationship with Virgin is something weâ┚¬Ã¢”ž¢ve never experienced before from labels. We really seem to be a high priority for them over there, which was definitely not the case at Geffen.
RD: Is there a certain band that has been particularly influential to you while writing the new songs?
KV: Personally, Radiohead has influenced me a lot. Its not gonna sound anything like Radiohead because you knowâ┚¬Ã‚¦
RD: That would be really different!
KV: (laughs) yeah! I just really like what they do with every record that they put out; the steps that they take towards maturing and all the different kinds of music that they put into their own music.
RD: Are there any musicians from this generation that you think will be remembered in the future?
MW: Thatâ┚¬Ã¢”ž¢s a really good question. Iâ┚¬Ã¢”ž¢d definitely say Coldplay. I think theyâ┚¬Ã¢”ž¢re the closest ones to itâ┚¬Ã‚¦or Radiohead. I think those two bands are the kind of bands that will stand the test of time. I donâ┚¬Ã¢”ž¢t want to say their marketing, but their music isnâ┚¬Ã¢”ž¢t built on a shtick or a certain selling point. People buy their records because theyâ┚¬Ã¢”ž¢re genuinely great records and they love the band. I think a lot of the bands that are popular, that sell a couple million records nowadays, I feel like two or three records down the line they wont be remembered because theyâ┚¬Ã¢”ž¢re big right now because of a certain cool trend.
RD: So its safe to say that you guys would prefer to get big the way that Radiohead did versus the way that a band like Panic! At The Disco did?
KV: Much rather.
MG: I donâ┚¬Ã¢”ž¢t want to be a fad.
KV: With bands like that (Coldplay and Radiohead), they were never trying to hop on something that was already going. Those bands took a kind of music that wasnâ┚¬Ã¢”ž¢t really commercially successful and just stuck with it and perfected their sound and perfected what they were trying to do so much that people couldnâ┚¬Ã¢”ž¢t help but listen. Itâ┚¬Ã¢”ž¢s a lot different from kids now looking for a carbon copy of another band. Itâ┚¬Ã¢”ž¢s a lot easier for a band to get successful that way than to try to pave their own path.
RD: What is one album that you would suggest as required listening for everyone?
KV: Iâ┚¬Ã¢”ž¢d say Clarity because itâ┚¬Ã¢”ž¢s such an under-heard record. A lot of people in our scene know about that record, but if you tally up all the people in the world that listen to music, not a lot of people have heard it.
MW: That recordâ┚¬Ã‚¦everybody can enjoy it no matter who you are, no matter what music you like.
KV: At least something on that record
MW: Yeah, itâ┚¬Ã¢”ž¢s for everybody.
RD: What upcoming albums are you looking forward to hearing?
KV: Brand New (everyone agrees)
RD: They played here at UCF a couple of nights ago and it was amazing.
MW: Did they play all new stuff?
RD: It was like three or four older songs and the rest were new.
MW: How are the new songs?
RD: REALLY good.
MW: Yeah? Iâ┚¬Ã¢”ž¢m psyched.
RD: Has their been a specific moment in your bandâ┚¬Ã¢”ž¢s history that has stuck out for you?
MW: Getting signed to Drive-Thru was the coolest thing. I donâ┚¬Ã¢”ž¢t know if weâ┚¬Ã¢”ž¢ll ever be able to top that in my book. It was such like a surreal moment. It was so huge to sign to a label with like New Found Glory, Fenix Tx, Midtown on it. To be apart of thatâ┚¬Ã‚¦ I just started freaking out. Itâ┚¬Ã¢”ž¢s like someone being like â┚¬Ã…”Here, hereâ┚¬Ã¢”ž¢s your dream. You have to work your ass off now but hereâ┚¬Ã¢”ž¢s a ticket to go do that.â┚¬? It was a big deal.
RD: What is your opinion on the current state of the music industry?
KV: Itâ┚¬Ã¢”ž¢s in shambles! (laughs)
MG: Itâ┚¬Ã¢”ž¢s hard to find honesty. Itâ┚¬Ã¢”ž¢s like a diamond in the ruff.
KV: Itâ┚¬Ã¢”ž¢s tough because you know the music industry still spends so much money on a lot of shit that they really donâ┚¬Ã¢”ž¢t have to or that ends up costing them more than it makes them. Especially since downloading is so big now, kids arenâ┚¬Ã¢”ž¢t buying records nearly as much as they were but you know labels are still spending the same amount and kids arenâ┚¬Ã¢”ž¢t buying nearly as much so it kind of causes turmoil, for major labels especially.
MG: Labels donâ┚¬Ã¢”ž¢t really want to take a chance. If you are a unique band, to find a label that actually wants to support you is difficult cause labels kind of just look for the next carbon copy of whatâ┚¬Ã¢”ž¢s big right now.
MW: I feel like labels will probably be obsolete in the next like ten years just because there is so much like home-recording equipment. Bands can essentially cut out the middle man and with something like iTunes, if its marketing the right way you can still be a successful band and put out your own records and you might as well do that. No oneâ┚¬Ã¢”ž¢s going to believe in your band as much as you.
RD: Do you support illegal downloads then?
KV: No, I donâ┚¬Ã¢”ž¢t support illegal downloads unless you canâ┚¬Ã¢”ž¢t find the record like if you cant find it on iTunes because then how else are you going to get it?
MW: Or if the Brand New record happens to leak like a week before, Iâ┚¬Ã¢”ž¢m totally listening to it but Iâ┚¬Ã¢”ž¢ll buy it the day it comes out.
RD: It did leak!
MW: I know! I canâ┚¬Ã¢”ž¢t find it though!
RD: So if you could do one thing to change the industry, what would it be?
MG: Fire a lot of people.
KV: I would un-sign a lot bands that have been signed to major labels. Theyâ┚¬Ã¢”ž¢re just too many bands that do the same thing and labels just sign them because they play that kind of music not because of how good they are or how long theyâ┚¬Ã¢”ž¢ve been together or how many fans they have. I wish that that shit meant a little bit more.
MW: I feel like thereâ┚¬Ã¢”ž¢s none of those classic bands anymore. Thereâ┚¬Ã¢”ž¢s no like Led Zeppelin. Thereâ┚¬Ã¢”ž¢s no band thatâ┚¬Ã¢”ž¢s going to stick around for thirty years.
MG: Thatâ┚¬Ã¢”ž¢s like the Coldplay-Radiohead thing.
MW: Right, those are the only two bands. It seems like nowadays labels almost bank on a band being disposable within like three to five years. People sell their couple of million records and then they know theyâ┚¬Ã¢”ž¢ll be done. I wishâ┚¬Ã‚¦
KV: I wish there were more career bands out there.
MW: Yeah, thereâ┚¬Ã¢”ž¢s not. But bands also used to be a lot more talented than they are nowadays.
RD: Do you think bands nowadays can even be revered the way those classic bands were?
MG: Itâ┚¬Ã¢”ž¢s definitely possible.
MW: Yeah, look at Nirvana; they changed the world. There has to be another Nirvana.
KV: Right, thereâ┚¬Ã¢”ž¢s always, at least in technology, a progression in music. Its been going on since music started so something big is bound to happen with music again.
MG: People are gonna get sick of seeing all that stuff. Whatâ┚¬Ã¢”ž¢s the next genre going to be?
KV: It kind of feels like weâ┚¬Ã¢”ž¢re in the eighties again right now as far as music goes.
MG: We need a big grunge take over. Not grunge but something like that.
RD: What do you think that next big thing will be?
KV: I always pictured music turning more experimental and a little bit more electronic. Not like eighties dance electronic, but actually like intelligent electronic kind of music. It seems like itâ┚¬Ã¢”ž¢s just kind of likeâ┚¬Ã‚¦
MG: Watered down pop right now
KV: It seems like its still Hawthorne Heights bands right now. I really donâ┚¬Ã¢”ž¢t know what musicâ┚¬Ã¢”ž¢s gonna have for us next. Every time I say â┚¬Ã…”Thatâ┚¬Ã¢”ž¢s going to be a total failure!â┚¬? its like number three on TRL! (laughs)
RD: Where do you see the band heading in the next five to ten years?
KV: Doing what weâ┚¬Ã¢”ž¢re doing right now. Probably on this bus someplace.
MW: Hopefully trying to carve our own path.
MG: Hopefully not has-beens!
RD: Do you ever get tired of playing Best Of Me and will it ever be retired?
MW: you know what? Kenny can answer that question!
KV: I always get tired of playing it and I donâ┚¬Ã¢”ž¢t think weâ┚¬Ã¢”ž¢ll ever retire it!
MW: I still like the song and I enjoy playing it.
KV: Yeah? How much do you listen to it?
MW: I listen to it every night when we play it!
MW: I think itâ┚¬Ã¢”ž¢s a good songâ┚¬Ã‚¦ I think itâ┚¬Ã¢”ž¢s a catchy song.
KV: Thank you.
RD: Matt, is it difficult managing bands while touring?
MG: No. Weâ┚¬Ã¢”ž¢re on a bus with wireless Internet and thereâ┚¬Ã¢”ž¢s so much downtime throughout the day that I can kind of do what I need to do and still have timeâ┚¬Ã‚¦
MG: and still have time to play football.
MG: Yeah, I still have time to play football and lead a normal life so it works out perfect. Iâ┚¬Ã¢”ž¢d probably be really bored if I didnâ┚¬Ã¢”ž¢t do it.
RD: Ok, any final comments?
KV: Thanks for listening, if you listen to it or heard it before.
MW: Thanks for reading it, if you read it!
KV: Yeah, thanks for reading. Thanks for looking.
RD: Thank you!
MW: Yeah, of course!
Albums In Stores Tomorrow
Brand New – The Devil And God Are Raging Inside Me
Echo Screen – Euphoria
Emery – The Question (Deluxe Edition) CD/DVD
MxPx – Let It Happen (Deluxe Edition) CD/DVD
Killswitch Engage – As Daylight Dies
30 Seconds To Mars – Beautiful Lie CD/DVD
A Santa Cause 2: Itâ┚¬Ã¢”ž¢s A Punk Rock Christmas
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