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CunninLynguists – Strange Journey Volume One

August 19, 2009 By Max Specht Leave a Comment

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Artist: CunninLynguists
Album: Strange Journey Volume One
Label: Bad Taste Records
Purchase: Amazon
Release Date: June 31st, 2009

Overall: 7.5
Music: 6.5
Lyrics: 8.5
Production: 7.5

Some of the best hip-hop and rap music has always come with the strangest tongue-in-cheek references and storytelling, that really makes it stand-out and individualize concepts and a certain style in music. But there is a fine line between charming obscurity and a gimmick, and to balance the ability to still be “serious” artists and have an “odd” image to ones self is something that the rap group CunninLynguists do very well on their mixtape Strange Journey Volume One.

One of the best example of the odd storytelling found on Strange Journey Volume One would be best shown in the track “Nothing But Strangeness” that balances a powerful flow of lyrics with great storytelling, shared between changing vocal dynamics that keeps it fresh and continuously entertaining.

While some songs are like the aforementioned relying on some odd lyrical references and stories that make it more funny then serious (See: “Never Come Down (The Brownie Song)”), some songs are able to remain serious and powerful within the confines of the CunninLynguists world. “Move” and “Inverse” are both songs that feel powerful and grand without ever going over the top, while “Don’t Leave (When The Winter Comes)” is a depressing ballad that shows off their ability to get melancholy and appeal not just to novelty rap listeners looking for a good story and a laugh.

The mixtape nowadays in rap music is a joked about format, something that is filled with tags and lacks quality and originality. While the CunninLynguists are really changing the game in any way they are helping to keep an older style of music fresh. WIth ever-changing vocal dynamics and older styles of flow and lyrical content (not much about chains and cars on this one), they are staying true to themselves while keeping the listener on one strange journey.

Filed Under: Album, Reviews Tagged With: bad-taste-records, cunninlynguists, mixtape, sidecho records

Gene Dante and The Future Starlets – The Romantic Lead

July 21, 2009 By Max Specht Leave a Comment

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Artist: Gene Dante and The Future Starlets
Album: The Romatic Lead
Label: Omnirox Entertainment
Purchase: iTunes, Amazon, Amie Street
Release Date: February 3rd , 2009

Overall: 8.5
Music: 9.0
Lyrics: 7.5
Production: 8.5

Who said glam rock was dead? If Gene Dante and The Future Starlets are evidence of the state of glam rock then it is obvious that it is alive and doing very well for itself. Their latest release entitled The Romantic Lead shows off just how they are as much of a throw-back to an older genre as they are innovators in music.

The album starts off the David Bowie-esque “A Madness To His Method”, which steadily makes it’s way through a heartbeat-like drum loop into an air-y calling of “I am gorgeous / I am without disease”. The opening track melds the grandeur of glam while still staying within the structure of rock and roll music. 

The album’s grand elements don’t stop there though, songs like “Brian, My Darling” has such strong broadway delivery you’d think you were visiting the great white way. While “The Dreamers” dances around just as well as any power ballad a pop-star of yesteryear could devise.

While some songs have a punk-y flair to them (see: “Purity Of Intent”), others flaunt a charming radio-ready pop charm that make them prime for the billboard (see: “C Star”). Most of all, just as the title implies, each song carries with it a very sexual and romantic sound. Whether it be found in the delivery of the tunes, or the light and fun riffs found throughout, it’s obvious that Gene Dante and The Future Starlets have no problem taking the first step in a relationship.

The Romantic Lead works just as well as an homage to a genre past as it does in creating a new fan base for a genre revitalized. Perhaps it is about time glam comes back to the fore-front, and with charming, catchy tunes that deserve to be blared from every car along the interstate in the dead of summer, Gene Dante and The Future Starlets might find themselves right at the front of the rush.

Filed Under: Album, Reviews Tagged With: gene-dante-and-the-future-starlets, sidecho records

The Silent Years – Let Go

April 27, 2009 By Max Specht 1 Comment

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Artist: The Silent Years
Album: Let Go
Label: SideCho Records
Purchase: iTunes, Amazon, Amie Street  
Release Date: July 14th, 2009

Overall: 8.5
Music: 9.o
Lyrics: 8.0
Production: 8.0

Sometimes when we listen to music we learn to let go, let go of our previous conceptions of what we like and what we choose to listen to on a daily basis. In doing this can we evolve our musical standards and learn to listen to things all across the board. This leads us to The Silent Year’s newest EP, Let Go.

“Taking Drugs at the Amusement Park” is the first track to lead off Let Go, with a fuzzy bass intro and pounding drums this song might mean pure ecstasy for any indie lover, but as the song progresses it is learned that they are just as much about pop as they are indie (especially taking into consideration the “da-da-da”-like breakdown).

This brings us to the aforementioned point, that sometimes we need to let go of what we think a band should sound like. Sometimes it is hard to border indie and pop at the same time, because it is such a niche (indie) compared with the ability to access any kind of listener (pop). This is something that The Silent Years have done very well for themselves. Songs such as “Vampires Bite The Hands That Feed Them” is pure indie gold (horns and all), while “Madame Shocking” is a song that shows single potential with a rising string intro evolving into a fun drum beat with charming effects throughout.

Let Go is a wonderful taste of what the band is all about, that they can be just as good at being fun and catchy, while being instrumentally sound and ambient as your favorite indie band. In the end it is hard to resist the catchiness of songs like “TV>BJ”, or the six minute long finale “Claw Marks” with it’s spastic movement between sounds leaves the listener spellbound and wanting more after the last note fades away with the white noise.

A very tastefully constructed EP have made The Silent Years a band to keep paying attention to in the future as they polish their ability to create tunes that will not only appeal to everyone around them, but also allow them to retain artistic credibility in the most critical of circles. Above all else Let Go features fun, vibrant, sing-along songs that will have the entire audience singing along.

Filed Under: Album, Reviews Tagged With: let-go, sidecho records, the-silent-years

SideCho Records Catalog for $25.00

April 15, 2009 By Ben Minsky Leave a Comment

For a limited time only you can purchase the SideCho Records Catalog for $25.00 at the SideCho Webstore. This offer ends Sunday April 19th.

Check out the CDs below.

Via Audio ‘Say Something’
Charlemagne ‘We Can Build An Island ‘
Tokyo Rose ‘The Promise in Compromise’
The Only Children ‘Keeper of Youth’
Blinded Black ‘Under The Sunrise’
1090 Club ‘Shipwrecked on Shores’
Some By Sea ‘on fire! (igloo)’
The Spores ‘Imagine the Future’
Stars Of Track And Field ‘Centuries Before Love And War’
Charlemagne ‘Detour Allure’
Tokyo Rose ‘New American Saint’
The Pale Pacific ‘Urgency’
The Pale Pacific ‘Rules Are Predictable’
Neva Dinova ‘The Hate Yourself Change’
MC Lars ‘The Laptop Ep’
The Beautiful Mistake EP
Death On Wednesday ‘Buying The Lie’
The Pale Pacific ‘Gravity Gets Things Done’
Anadivine
Tokyo Rose ‘Reinventing a Lost Art’
Death On Wednesday ‘Songs To ______ To ‘
Fairview ‘We’ll Dodge It On The Way Back’
Point Break Vol.1
Neck ‘Should My Fist Eye’

Filed Under: News Tagged With: sidecho records

Michael Zapruder Interview – March 27th, 2009

March 27, 2009 By Max Specht Leave a Comment

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Michael Zapruder’s latest album Dragon Chinese Cocktail Horoscope is a masterfully fabricated journey in artistry and experimentation for a solo artist. Already becoming an artist with quite the legacy, he was able to take some questions from Driven Far Off about his album and his career (past, present and future).

Purchase his latest album on iTunes and at the Sidecho Records Store.

Also check out his latest video for “Ad’s For Feeling’s” here.

 

How did the 52 songs project benefit you? did it help you become a better lyricist having to write a new song each week?
 
I hope so. 52 Songs was a learning experience for me all around. I spent lots of time in the studio, for example, and I learned to be pretty comfy in that environment. There were lots of specific things like that that I got just from the amount of work I was doing. But the main benefits were really all fundamental. Basically I got to indulge in a lot of ideas that I was curious about but which ultimately were probably trivial. I got to get all my juvenilia out of my system. I got my ya-yas out, and that helped me to approach things more simply and directly, which is a good thing for music and lyrics both.

 What was the intended message on Dragon Chinese Cocktail Horoscope you wanted to convey?

 
 I went in to the project with some goals for myself and the record, but it was a method I wanted to use, rather than a message. I wanted to do a wide, diverse group of songs so that the larger group of songs might spin off interesting and unexpected kinds of associations on their own. At one point I conceptualized it as a kind of psychological cubism or something like that – different, unresolved simultaneous things that are still somehow unified. I believe that most of us experience the world that way, and I wanted to try to be true to that when I wrote and made this record. I didn’t want to oversee myself that much. As for what the record conveys, I hope there’s a mysterious and durable thread at the center of the record which people want to keep grabbing for.
 
During the writing process was there ever a song that ended up making Dragon Chinese Cocktail Horoscope that you immediately knew was going to be there?
 
 There were songs that I felt sure would make one of my records, because I knew I would want to make sure to put them out; but I wasn’t attached to a particular song. Ultimately, I tried to just be realistic about which recordings seemed to be working, and to build the record from those. Of course, if we hadn’t ended up with enough usable songs after the initial session, I’m sure I would have gone back into the studio to keep trying. 
 
 How do you feel the idea of a constant stream of music in the industry today has evolved and how something like the 52 song project has moved from an outlandish experiment to a smart career move?
 
I may be wrong about this, but I think that quality, and not quantity, is what matters. Back when I did 52 Songs I was thinking that if I wrote a song a week for the rest of my life, it would only add up to ten thousand songs or something, and I figured that if I wrote that many, I’d have a good chance of really connecting with something special on a few dozen of them. So it was quantity as a method to get quality. I think as an artist, that’s totally valid, but as a career move, I suspect that the people who move deliberately and who focus on their strengths and who avoid certain creative detours tend to be more successful. Also, I think doing a 52 songs thing as a writing project is great, but adding in the necessity of turning those songs into full-on recordings is probably not the smartest thing. It’s really good to take your time with recording I think. If things happen fast, cool, but if they don’t, it’s good to keep at it until you have a version that really works. 
 
 Do you believe there is any artist/group in mainstream music today trying to redefine what they are doing and how people perceive “pop music”? or is it all disingenuous?
 

 Yes, I think many people making records, whether they are mainstream records or indie records (although isn’t indie mainstream now?), are trying to do that. The thing is, at the highest levels, pop music really is just about what people like to listen to. So Prince’s recent forays into conceptual long form funk and jazz, or Wilco’s most recent record with its rather unassuming kind of excellence, may lose their place at the top of the heap the more they deviate from what people expect. In any case, I don’t think it’s all disingenuous at all. 
 
 Which song on Dragon Chinese Cocktail Horoscope was the hardest to finish? and why?
 
 Writing-wise, “Can’t We Bring You Home” was hard to finish. I had a bunch of different sets of lyrics for it, and the song form, which is experimental, was hard to decide on. I wanted it to be really unusual without sounding that way, and it took a long time to figure that out. For recording, we worked a lot on “Ads for Feelings” and “Bang on a Drum.” 
 
Listening to your album it’s ambient nature surfaces throughout, do you think more ambient music is overlooked in an industry that values an in-your-face sound?
 
 Well, I’m glad you picked up on that part of the record. Scott Solter and I wanted to use sort of ambient landscapes to make the songs seem finished even if the instrumentation was pretty light. As for whether ambient music is overlooked, I think it’s more that it’s designed to be peripheral. When Eno was in the hospital dreaming it up, the idea was, I’m pretty sure, to make music that would accompany people in their activities without demanding their full attention. So yes I think ambient music is overlooked, but I don’t think it’s the industry’s fault. I think we can all blame Brian Eno for that….
 
 Where would you like to take your music in future releases? Where do you see yourself going artistically?
 
 I’m working on some experimental pop free verse songs that I wrote using as lyrics poems by twenty published mid-career American poets. I love these pieces and expect that to come out sometime within the next year. I’m halfway through recording them. The next record of my own songs is probably going to be more oriented towards directness and energy and a band sound, but no matter what it will be more focused on content than formal experiments. I’ve even considered setting a limit for myself to make a record where none of the songs is slower than 120 bpm. We’ll see about that. In any case, I’d like to make a record that is playable in a live setting, and that is invigorating and cathartic for one and all. And, since I grew up listening to my dad play finger-picking guitar and singing songs, and since I’ve been listening to a lot of Sybll Baier lately, I want to try to record some really mellow stuff like that too. 
 
Is there a certain lyric or a certain song that is especially important or sentimental for you on Dragon Chinese Cocktail Horoscope?
 
 I do like the lyrics on the record a lot. I worked on them for a long time. I’d say the line about staggering out in a horrible speedo always feels somehow relevant to me when I perform it. I also like parts of “Black Wine” a lot. “Harbor Saints” also feels pretty honest and interesting to me. I hope it does for other people too.
 
In your own opinion what is more important: variety or consistency? Is the risk of alienating fans or failing worth the pursuit of a higher level of art? 
 
 I think it’s a balance, and one that I probably don’t really do too well. Ultimately, consistency builds careers, but variety sustains artists, so having a good mix of both seems like the best thing. As for the second question, I’m not sure what a higher level of art is, but I think I do know what its pursuit is like, and yes, I absolutely think it’s worth the risk of alienating fans or failing or whatever else. Perhaps there is a reason why people call creativity a gift (it’s one that I believe we all have, by the way). There is something incredibly fortunate and great about people working, searching for a song or painting or film or anything else, looking for new ways to articulate what it feels like to be alive, what’s important, what should be important, and stuff like that. If you have that in your work, you really have the real thing. The reaction, whether you’re collecting roses thrown on the stage or raking up tumbleweeds on an apocalyptic wasteland, comes after the fact.

Thanks to Michael and Noel from SideCho for helping put this interview together.

Listen to “Ads For Feelings”

Filed Under: Interviews Tagged With: michael zapruder, sidecho records

New Releases From SideCho Records

March 24, 2009 By Max Specht 1 Comment

Michael Zapruder’s “˜Dragon Chinese Cocktail Horoscope’ and 1090 Club’s “˜Natural Selection’ are out today through SideCho Records.

You can purchase Michael Zapruder’s “˜Dragon Chinese Cocktail Horoscope’ through iTunes and you can purchase 1090 Club’s Natural Selection through iTunes as well.

You can also purchase exclusive New Release Packages through the SideCho Store they include a copy of the album, an exclusive t-shirt, and poster. 

Filed Under: News Tagged With: 1090-Club, michael zapruder, sidecho records

Michael Zapruder – Dragon Chinese Cocktail Horoscope

February 12, 2009 By Max Specht 6 Comments

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Artist: Michael Zapruder
Album: Dragon Chinese Cocktail Horoscope
Label: SideCho Records
Release Date: March 24th, 2009

Overall: 9.0
Music: 9.0
Lyrics: 8.5
Production: 8.0

Nowadays, it’s becoming harder and harder to find a musician that deserves to be called a “song writer”. With hooks becoming more and more necessary for success, the true artistry behind music is being sacrificed to those who are masters of alliteration and clever metaphors. Gone are the days of meaningful lyrics draped with light but powerful instruments. But every now and again, we find someone who does deserve this title, someone who puts together an album that is thought out, planned and meticulously carved into a piece worthy of great praise. This brings us to Michael Zapruder’s album, “Dragon Chinese Cocktail Horoscope.”

“Happy New Year” leads the track in with light piano and mildly electronic drums that introduce us to the world to Michael Zapruder. This song brings us right in with very catchy instrumentals coupled with sentimental lyrics, that along with Michael’s stream of consciousness type lyrics bring us full-force into this album.

Whether it be the Arcade Fire-esque “Ads For Feelings”, the beautiful piano in “Can’t We Bring You Home” which propels straight to an older time in the basement of a pub somewhere in downtown New York, as Michael softly croons the title of the track with light strings howling in the background. Whether it be the acoustic tinges of “Harbor Saints”, which just makes the listener feel good. It’s all to apparent that “Dragon Chinese Cocktail Horoscope” is a CD that makes you feel as if you are the only person that understands it, yet you want all of your loved ones to hear it and love it just as much as you.

The thing that makes this album stand out amongst it’s contemporaries, is that it feels as though every single note, every single lyric is thought out and meticulously crafted into one beautiful composition of music. This album could be  life’s work that is how well put together it is. It feels as though it has taken years to get it out to people, because every second with it is appreciated and lovingly taken care of.

In conclusion, “Dragon Chinese Cocktail Horoscope” is a very diverse and well approached and implemented piece of work. It basically defines all that is right with music right now, and should serve as a precedent to any other potential artist out there as how to execute a great record. This album deserves all the praise in the world, it has no flaws as each moment is enjoyed and cherished. This album needs to be heard by everyone you know, for music’s sake.

Filed Under: Album, Reviews Tagged With: Michael, sidecho records, Zapruder

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