City and Colour will be releasing a new EP called Live At The Orange Lounge on April 17th.
Track listing:
1. Forgive Me
2. Against The Grain
3. Waiting”¦
4. What Makes A Man?
5. Comin’ Home
6. Save Your Scissors
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City and Colour will be releasing a new EP called Live At The Orange Lounge on April 17th.
Track listing:
1. Forgive Me
2. Against The Grain
3. Waiting”¦
4. What Makes A Man?
5. Comin’ Home
6. Save Your Scissors
It’s Tuesday and so, I bring you a recommendation. This weeks’ nominee is a local band from my hometown, Akron, Ohio. The band is Stiletto. Not only do these boys put on killer shows, they have dynamite music to back it up. They’re a little bit pop punk and a little Minus the Bear and I can assure you this is a good thing.
Song to listen to: I’m My Own Worst Eskimo
Something Corporate ,who just played the Bamboozle Festival in California, have announced they will be playing the Bamboozle Festival in New Jersey and Chicago.
The band has also announced that they will be releasing a 2 CD Greatest Hits album titled Played In Space on April 27th. The first disc contains alt-rock favorites “I Woke Up In A Car,” “If You C Jordan,” “Punk Rock Princess,” and “Space.” The bonus CD includes a new recording, “Wait,” an exclusive remix of “Forget December,” the fan-favorite rarity “Konstantine,” the previously unreleased in the U.S. “Watch The Sky,” and a new remix of “I Woke Up In A Car” by Owl City’s Adam Young. A version exclusive to iTunes also includes a new recording “Letters To Noelle.”
Just having played Bamboozle Left, the performance at Angel Stadium in Anaheim on March 28th was a homecoming for singer-pianist Andrew McMahon, lead guitarist Josh Partington, bassist Kevin “Clutch” Page, and drummer Brian Ireland. They will also play Bamboozle Chicago on May 15th and Bamboozle East on May 1st. To coincide with the announcement of these shows, the Something Corporate online merch store is also relaunching. The new store features new t-shirt designs along with a few classics, and special pre-order packages that include the new album, a digital download, autographed merchandise items, and more!
Since going their separate ways in 2004, McMahon founded Jack’s Mannequin, released two critically acclaimed albums, and defeated leukemia, while Partington formed the band Firescape. Only a brief appearance at Bamboozle Left in 2006 had brought them together until January 2010 when they re-entered a studio to “revisit a couple of demos (“˜Letters To Noelle’ and “˜Wait’) that,” said McMahon to the Orange County Weekly, “we still loved and that we always wanted to get to.”
Played in Space: The Best of Something Corporate
Disc ONE:
1. Space
2. I Woke Up In A Car
3. She Paints Me Blue
4. Hurricane
5. Me And The Moon
6. Fall
7. Ruthless
8. I Want To Save You
9. Cavanaugh Park
10. If You C Jordan
11. Down
12. Punk Rock Princess
13. Walking By
14. The Astronaut
Disc TWO:
1. Konstantine (previously unreleased)
2. Watch The Sky (previously unreleased)
3. Forget December (new exclusive mix)
4. I Woke Up In A Car (Adam Young mix)
5. Wait (new recording)
A combination of messages and photos have lead to the conclusion that Matt Rubano and Matt Fazzi have left Taking Back Sunday. Taking their place are former members John Nolan and Shaun Cooper bringing the lineup back to its original form. Messages from Rubano and Fazzi can be read below.
What are your thoughts? Old Taking Back Sunday back together again?
A Note From Matt Rubano
After seven years I’m sad to announce that I will no longer be playing the bass with Taking Back Sunday. I would like to thank Adam, Eddie and Mark for giving me this amazing opportunity that changed my life. I am proud of the music we made together and cherished every moment of it. And to Taking Back Sunday fans, there isn’t anything I can say that will express the way I feel toward you. It’s literally been a dream come true and you were the cast of that dream. I am happy to have met and befriended so many of you. I will miss you all.
A Note From Matt Fazzi
To everyone in the TBS family, it is with great sadness I am announcing today that I am no longer a part of Taking Back Sunday. The last 2 years with Taking Back Sunday have been beyond a dream come true, from touring and playing with bands that I really admire, to playing new places all around the world, to meeting and working with so many wonderful people along the way. It’s something that I never once took for granted and that I will never forget. I want to thank Eddie, Matt, Adam and Mark for giving me the chance to play and make music with them, if even for a short while. We’ve accomplished a lot in a short time that I will forever be proud of. Thanks to everyone involved for making this such a beautiful experience for me, especially YOU, the fans. You have been so warm and receptive to me since I joined and for this I am forever grateful. As for me, I will continue on with my own music and I hope to see some of your smiling faces around soon.
With all my love,
Matthew Fazzi
Artist: Murder By Death
Album: Good Morning, Magpie
Label: Vagrant
Purchase: Website Pre-Order
Release Date: April 6, 2010
Overall: 9.5
Music: 10
Lyrics: 8
Production: N/A
Murder By Death has consistently been in the background of my life. One of those bands that all my friends loved, but one of the bands I never quite fell in love with. I’ve seen them live twice, once on accident and once on purpose. Both times, I was blown away by their stage presence, the dedication of their fans and their ability to transform completely from album to album.
And so, here I am, years later, still not convinced Murder by Death is my cup of tea. But the weather is gloomy, my friends wont stop talking about the genius of Good Morning, Magpie, and so, I decide to give one final plunge into the world of MBD’s music.
I hit play and instantly, I am frozen. The first track “Hentuckey Bourbon” is only 34 seconds long, yet I was hooked. It’s slow, pretty, and one of the best record openers I have heard in years.
My initial idea was to write my thoughts upon my first listen, but I couldn’t. I had to stop to let it all sink in. I listened to this record five times in a row without ever moving. I simply could not.
The stand out track for me is “Piece by Piece”. The opening is almost jolly sounding while the actual tone and lyrics of the song are moody and dark.
For the first time in years, I had finally understood the allure of Murder By Death. The music is complicated, solid, well rounded, and each song is constructed in such a manner that it evokes strong human emotion.
“Foxglove” is another track that caught my attention. The chord progression and strings in the background are reminiscent of older Murder By Death, but also fresh and exciting.
In reality, I can’t say which song is the best because with each listen I change my mind.
Murder By Death is classic American noir in music form and right now, this is precisely the only thing I want and need. I don’t drink or dance, but by the end of this record, I wanted a bottle of whiskey and a pair of dancing shoes.
Secret & Whisper have posted a new song called “Whale Bones” on their MySpace page. A trailer for their new album, Teenage Fantasy, due out April 6th can be seen below.
Metro Station has broken up. An article regarding the break up can be seen below.
If there were one word for the Campus Activities Board’s concerts at Homecoming and Tigerfest this year, it might be “unpredictable.” Scheduled headliners Keri Hilson and Wale dropped out of the October Homecoming concert three weeks ahead and were replaced by Lupe Fiasco.
On Monday evening, Bridget Chase, assistant director of programming for student activities, got a call she was hoping not to receive. Metro Station, the scheduled opening act for Tigerfest on April 25, has broken up.
“Our middle agent called me to let me know and my first thought was ‘He’s got to be kidding,'” she said.
The band’s label, Columbia Records, has not yet responded to a request for comment.
In 2009, the band lost bassist Blake Healy and drummer Anthony Improgo. The band was most recently a two-man lineup featuring guitarist Trace Cyrus (half-brother to Miley) and singer Mason Musso. Announced as Tigerfest performers just two weeks ago, the pop-rock band would have opened for N.E.R.D on the Burdick Field stage.
However, Chase noted, Towson had not yet signed a contract with the band and that they were in a binding process as the final agreement was hammered out.
“We didn’t have any reason to think it was a disaster. It was the usual process,” she said.
From here, Chase and CAB are searching for a band that will be available that weekend and on the East Coast. Unfortunately, she said, that means most of the bands from CAB’s survey earlier this year are already booked.
“As we’re surveying students, those bands are taking dates as we’re doing that,” she said. “We’re going to see who else is out there who is not booked on that date. We really want to get a good name, obviously.”
Chase said she is taking the change with a sense of humor, however.
“Maybe it’s a funny year in the concert world for schools,” she said. “It has been an interesting and challenging year.”
Check out the video for Confide’s “I Never Saw This Coming” below.
My musical evolution has grown as much as I have and so has the form of media — from cassette tapes, to CD’s, to mp3’s….to…vinyl? I grew up on music and while most of the music I was force fed as a child, on long car rides and on cleaning days, wasn’t music I particularly enjoyed, it was music. I had always been drawn to the background noise escaping the speakers. I feared silence.
My mother was a country fan, but my father listened to death metal. I was raised on bipolar genres and my preferences today reflect as much. My first cassette was purchased by my father in Mexico. It was Mariah Carey. While I never fell in love with Mariah, I was, however, marveled by the idea of having music at my palms, whenever I wanted. Like most kids growing up in the early 90’s, I received my first Sony Walkman and with it I was given blank cassettes. The radio was my newfound best friend. I made makeshift mix tapes, composed entirely of popular music. From the Goo Goo Dolls to Destiny’s Child to Green Day, I wanted it all. I stopped being social and was rarely spotted without headphones attached to my head. I used and reused those original tapes creating better mixes every day.
And then…middle school happened and so did compact discs. With CD’s came a bigger selection, more of an opinion, and I was finally allowed to watch MTV’s Total Request Live. I wore band tee’s like it was my job. I had lunch boxes, patches, purses, stickers, folders, whatever I could get my hands on. I loved music and everyone had to know. I graduated from cassettes to CD’s, but also from pop radio to rock television.
Middle school came and went as did the allure of CD’s. High school showed up with MP3’s and music pirating. MP3’s were all the rage. You mean I can download music from my computer, where I spend all my time anyway, for free? Which is great because I’m only fourteen and don’t have a job and oh, wait, I can get music before it’s released? WHAT? I was enthralled, hypnotized, captivated, it didn’t get better than this, did it?
I did not purchase an mp3 player until graduation, but I bought blank discs by the 100’s. I made everyone I knew mixes full of music I knew they’d hate, but hey, IT WAS FREE MUSIC. I never once thought downloading music was wrong and so, when I heard that it was illegal, I simply downloaded more. Record labels and prosecutors be damned. Once I had an iPod, I gave up CD’s and had 20 gigs of music with me at all times. I thought, how in the world, can this get any better?
College came and I made it through the first year being entirely content and happy with my rapidly growing digital collection, but with digital I had nothing tangible. Just something filling the empty space of my hard drive. No longer did I count the days until release dates, rushing to the mailbox every day until I received that brown bubble wrapped package. I no longer had to struggle with the sticker on the top of a CD. Digital was easier and free, but I missed all of the anticipation, the actions, the smells, the shine.
This is how I fell in love with vinyl. Vinyl filled the void that mp3’s never could. I felt as if I had finally found the perfect balance in the musical world. But solace in something so old and so dated? I was skeptical. I felt as if I was moving backwards instead of forward, but unbeknownst to me, records were just as popular, if not more popular. I began collecting records before I received a record player. Because, hey, we all have to start somewhere.
Luckily, the city I live in has an independent record shop and the bands I listen to are the bands that put out records. One of the many things I enjoyed about vinyl was that a lot of records came with a link to a legally downloadable file. My world was simultaneously revolutionized and de-revolutionized. Once again I was reunited with the packaging, the anticipation, the entire process of having tangible music at my finger tips.
Vinyl looks good, smells wonderful, sounds better than any mp3 ever could, and there’s just something about listening to vinyl that puts a smile on my face and eases the tension of my busy life. And hey, there’s nothing wrong with supporting the music you love.
Who know’s where we’ll be in ten more years and I may be traveling backwards in time, but as long as there’s music in any form in the background, I can’t say I mind.
The official Punk Goes Classic Rock trailer below features never before heard clips of Mayday Parade‘s cover of “We Are The Champions” and Hit The Lights cover of “More Than A Feeling.” Mayday Parade’s cover will premiere on Myspace Music in the coming weeks leading up to the release of Punk Goes Classic Rock on April 27th.